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THE COMPASSIONATE WRITER

FIND YOUR VOICE, TRANSFORM YOUR STORY, AND TOUCH LIVES

A productively therapeutic writing guide that balances practical and emotional advice.

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In this prose-writing guide, Beall encourages would-be writers to proceed with empathy.

If asked to name the top attributes required to be a successful writer—such as imagination, determination, discipline, or an affinity for language—compassion likely would not make most people’s lists. According to the author, however, compassion is essential when it comes to telling engaging stories. “Compassion gives me permission to take my time and really listen for what the story wants to be,” writes Beall in her introduction. “Whether I’m writing memoir or fiction, I try to meet myself where I am—with regrets and pride, failure and grace.” In this writing guide, the author lays out how aspiring writers can better incorporate compassion into their work, from the way they envision their characters to the way they treat themselves. Beginning with self-compassion, Beall discusses why doubt is so common among writers at all stages of their careers, especially those who are just starting out. Self-compassion, she asserts, means giving yourself permission to write freely, without feeling the need to justify yourself. This does not mean silencing one’s inner critic completely, since, as Beall points out, that internal voice is necessary for improvement. Rather, the author helps readers train their inner critics to be supportive and constructive rather than judgmental and intrusive, demonstrating how self-compassion can help writers to be more vulnerable in their creativity and to find their voices on the page. A trained psychologist, Beall incorporates ideas from that field, like cognitive biases and reframing life experiences to see them from a new perspective. She discusses the necessity of empathy when turning real experiences into prose narrative, particularly when the writing grapples—directly or indirectly—with real people from the writer’s life. From crafting complex characters and enticing conflicts to finding literary community and facing rejection from the publishing world, Beall demystifies the process from a place of kindness.

Her prose is gentle but precise: “Emotional truth doesn’t always come in the form of dramatic speeches or outbursts. Sometimes it shows up in silence, hesitation, or subtle reactions—a pause before speaking, a glance away, the way someone’s fingers brush a photograph before setting it down.” Each chapter features writing exercises to help readers practice craft concepts, personal anecdotes from Beall’s own experiences as an author, and writing prompts that encourage readers to generate their own material. The author also includes guided visualizations (a rare feature in writing guides) to assist aspiring writers in opening their minds to the process. Readers are invited to imagine themselves walking down a beach, for example, where the shells they find represent stories that have been spat out of the ocean of life experience, or to picture an imaginary house in which they feel so safe and welcome that they can revisit painful memories while sitting inside of it. The book is certainly emotion-forward, and readers may sometimes feel as though, on the way to the writing workshop, they accidentally wandered into a self-help seminar. (One chapter is called “Overcoming Writer’s Block With Compassion.”) For those amenable to an openhearted approach, however, Beall has much sound advice to offer.

A productively therapeutic writing guide that balances practical and emotional advice.

Pub Date: Oct. 24, 2025

ISBN: 9798990192928

Page Count: 280

Publisher: N/A

Review Posted Online: March 13, 2026

Kirkus Reviews Issue: May 1, 2026

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A WEALTH OF PIGEONS

A CARTOON COLLECTION

A virtuoso performance and an ode to an undervalued medium created by two talented artists.

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The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.

Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.

A virtuoso performance and an ode to an undervalued medium created by two talented artists.

Pub Date: Nov. 17, 2020

ISBN: 978-1-250-26289-9

Page Count: 272

Publisher: Celadon Books

Review Posted Online: Aug. 30, 2020

Kirkus Reviews Issue: Sept. 15, 2020

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CALYPSO

Sedaris at his darkest—and his best.

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In which the veteran humorist enters middle age with fine snark but some trepidation as well.

Mortality is weighing on Sedaris (Theft by Finding: Diaries 1977-2002, 2017, etc.), much of it his own, professional narcissist that he is. Watching an elderly man have a bowel accident on a plane, he dreaded the day when he would be the target of teenagers’ jokes “as they raise their phones to take my picture from behind.” A skin tumor troubled him, but so did the doctor who told him he couldn’t keep it once it was removed. “But it’s my tumor,” he insisted. “I made it.” (Eventually, he found a semitrained doctor to remove and give him the lipoma, which he proceeded to feed to a turtle.) The deaths of others are much on the author’s mind as well: He contemplates the suicide of his sister Tiffany, his alcoholic mother’s death, and his cantankerous father’s erratic behavior. His contemplation of his mother’s drinking—and his family’s denial of it—makes for some of the most poignant writing in the book: The sound of her putting ice in a rocks glass increasingly sounded “like a trigger being cocked.” Despite the gloom, however, frivolity still abides in the Sedaris clan. His summer home on the Carolina coast, which he dubbed the Sea Section, overspills with irreverent bantering between him and his siblings as his long-suffering partner, Hugh, looks on. Sedaris hasn’t lost his capacity for bemused observations of the people he encounters. For example, cashiers who say “have a blessed day” make him feel “like you’ve been sprayed against your will with God cologne.” But bad news has sharpened the author’s humor, and this book is defined by a persistent, engaging bafflement over how seriously or unseriously to take life when it’s increasingly filled with Trump and funerals.

Sedaris at his darkest—and his best.

Pub Date: May 29, 2018

ISBN: 978-0-316-39238-9

Page Count: 288

Publisher: Little, Brown

Review Posted Online: Feb. 19, 2018

Kirkus Reviews Issue: March 1, 2018

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