This complex tale with subtle Christian subtexts is best for fantasy fans who appreciate watching each unique piece of an...
The fifth volume in the acclaimed Tales of Goldstone Wood series keeps the mythic storytelling coming.
To meet her fiance, Alistair, the nephew and heir of Earl Ferox, Lady Leta travels to Gaheris Castle, where she begins taking reading lessons from the Chronicler, a reclusive dwarf who urges her to think for herself. She practices her reading with old nursery rhymes that, to her horror, begin to come true. On his deathbed, the earl makes a game-changing announcement, recognizing the Chronicler—Florien—as his son and rightful heir just as demons arrive intent on annihilating the House of Gaheris. Soon, a small band of travelers—Florien, Alistair, Mouse (a young woman on her own spiritual quest) and Eanrin (an immortal being)—sets out to make the nursery rhymes–turned-prophecies come to pass. Florien is to reclaim his ancestor’s sword and use it to slay the evil Dragonwitch. Readers will need to be patient, as the ambitious plot develops unhurriedly, and characters’ true identities and motivations are only gradually unraveled. Plot development is prioritized here, yet there is some admirable character development, particularly in Leta and Mouse, and explorations of the themes of destiny and forgiveness.
This complex tale with subtle Christian subtexts is best for fantasy fans who appreciate watching each unique piece of an enormous puzzle fall precisely into its place. (Fantasy. 13 & up)Pub Date: July 1, 2013
ISBN: 978-0-7642-1027-3
Page Count: 400
Publisher: Bethany House
Review Posted Online: May 14, 2013
Kirkus Reviews Issue: June 1, 2013
BOOK REVIEW
BOOK REVIEW
"All lonely roads lead back to Music" in this sentimental journey that might be a mashup of the lives of shooting stars like...
At the funeral of guitar superstar Frankie Presto, who disappeared at the peak of his fame, the Spirit of Music looks back on his life from his birth in a church during the Spanish Civil War to his years as “the next Elvis Presley.”
In Albom's latest mystical tale (The First Phone Call from Heaven, 2013, etc.), Francisco's mother dies after giving birth. The newborn is rescued by a nun, but she’s soon overwhelmed and, Moses-like, casts him adrift in the Mijares River, where he's found by Baffa Rubio’s hairless dog. Rubio later runs afoul of Franco’s thugs, and Francisco, only 9, is smuggled from Spain on a tramp freighter by El Maestro, his blind guitar instructor. In London, surviving as a busker, Francisco meets Django Reinhardt when the legendary guitarist is on his way to play with Duke Ellington in America. Francisco travels with him, his talent soon to earn international acclaim. Though a guitar virtuoso, Francisco neglects the beloved instrument to become a pop star, joining the glitterati. The moral? "Fame is addictive." Over decades, Francisco meets a litany of musicians, including Roger McGuinn, Burt Bacharach, Tony Bennett, and Paul Stanley of KISS, who reminisce in separate chapters while Music (imagine James Earl Jones reading poetry) spins out Francisco’s life story. There are occasional odd descriptive phrases like "with hair the color of dark grapes," but Albom can elicit tears when he writes about loss, and he has fun with you-are-there butterfly-effect anecdotes, as when Francisco tells Hank Williams not to buy a baby blue Cadillac, the car in which he would ride to his death.
"All lonely roads lead back to Music" in this sentimental journey that might be a mashup of the lives of shooting stars like Bobby Darin or Ricky Nelson.Pub Date: Nov. 10, 2015
ISBN: 978-0-06-229441-8
Page Count: 400
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 17, 2015
Kirkus Reviews Issue: Sept. 1, 2015
A sadly slapdash World War II adventure.
Fictional account of the unsung women operatives who helped pave the way for D-Day.
Jenoff’s (The Orphan's Tale, 2017, etc.) latest alternates between postwar America and war-torn Europe. The novel opens in 1946 as Grace, whose soldier husband died in an accident, is trying to reinvent herself in New York City. In Grand Central terminal she stumbles upon an abandoned suitcase, wherein she discovers several photos of young women. Soon, she learns that the suitcase’s owner, Eleanor, recently arrived from London, has been killed by a car. Flashback to 1943: Eleanor, assistant to the Director of Britain’s Special Operations Executive, suggests sending women agents to France to transmit radio intelligence on Nazi movements in aid of the Resistance and the coming Allied invasion. Women, she points out, are less conspicuous masquerading as civilians than men. A native speaker of French, Marie is an ideal candidate. After rigorous training, she is dropped into an area north of Paris, with scant instructions other than to send wireless transmissions as directed by her handler, Julian, code-named Vesper. For reasons not adequately fleshed out, Grace feels compelled to learn more about the women pictured and their connection with Eleanor. With the help of her late husband’s best friend, Mark, a burgeoning love interest, Grace accesses SOE records in Washington, D.C., only to find puzzling evidence that Eleanor may have betrayed her own agents. We hardly see Marie in action as a radio operator; we know of her transmissions from France mainly through Eleanor, the recipient, who immediately suspects something is off—but her superiors ignore her warnings. In any spy thriller clear timelines are essential: Jenoff’s wartime chronology is blurred by overly general date headings (e.g., London, 1944) and confusing continuity. Sparsely punctuated by shocking brutality and defiant bravery, the narrative is, for the most part, flabby and devoid of tension. Overall, this effort seems rushed, and the sloppy language does nothing to dispel that impression.
A sadly slapdash World War II adventure.Pub Date: Feb. 5, 2019
ISBN: 978-0-7783-3027-1
Page Count: 368
Publisher: Park Row Books
Review Posted Online: Nov. 12, 2018
Kirkus Reviews Issue: Dec. 1, 2018
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