Wide-ranging and surprisingly thoughtful.
The early days of Hollywood stars, gossip and damage control.
Blogger and first-time author Petersen (Film and Media Studies/Whitman Coll.) revisits several of Hollywood's well-known celebrity scandals and tells how the movie studios manufactured both stars' images and the public's desires. She opens with the obvious truism that a star's "actions, behavior, or lifestyle choices are never de facto scandalous; rather, they become scandalous when they violate the status quo in some way”—which is true for everyone. The author follows with an examination of the old-school "studio system," which created actors' names and biographies, as well as a host of "management strategies" (i.e., coverups) for actors' off-screen improprieties that entertainment publicists still use today to protect their investments—though the public at midcentury was far more gullible and easily manipulated. After this slow start, Petersen keenly analyzes the roles celebrities played—and still play—in our lives. She examines how the public allows “stars to take on our personal anxieties and shun[s] them when they fail to embody them in ways that please us." Chapters serve as case studies exploring and supporting the book's dual themes: that stars' images are "pliable…to our whims, hopes and fears" (particularly about class, female desire and gender roles) and how actresses were often presented and celebrated for appealing to men's sexual desires, then castigated for their brazen, unconventional behavior. In sections recounting the careers of stars who flamed out disastrously, including Dorothy Dandridge and Montgomery Clift, she incisively remarks on, especially, how Judy Garland's life—her studio controlled not only her public persona, but her romantic relationships and even her physical size during her teen years—"suggested hope and despair in equal measures," served up for the public's consumption. Not merely a rehash of salacious old Hollywood gossip, Petersen revivifies flattened images of Hollywood icons, including Fatty Arbuckle, Mae West, Humphrey Bogart and Marlon Brando, among others.
Wide-ranging and surprisingly thoughtful.Pub Date: Sept. 30, 2014
ISBN: 978-0-14-218067-9
Page Count: 304
Publisher: Plume
Review Posted Online: July 15, 2014
Kirkus Reviews Issue: Aug. 1, 2014
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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