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PLAN B

FURTHER THOUGHTS ON FAITH

Traveling Mercies set a very high standard, and to say that Plan B almost gets there is still to say that it’s a wonderful...

Funny, acerbic reflections on faith and family during George W. Bush’s first administration.

Readers have long awaited Lamott’s second book on spirituality (after Traveling Mercies, 1999), and it won’t disappoint—or not too much. As before, Lamott charts her life as a deeply religious Christian and committed leftist, though she’s no stereotypically pious Presbyterian. For example, she has dreadlocks and an out-of-wedlock son, her beloved Sam. She wears a red bracelet that was blessed by the Dalai Lama, and she hates Republicans, most especially George W. Bush. In the essays here, many from Salon, Lamott portrays herself as a mother heroically trying to figure out how to parent a smart—and occasionally smart-alecky—teenager. She also describes her attempts to love her aging, sagging body. And she takes readers inside her wonderfully warm church, still under the leadership of the awesome Veronica. Throughout, we read about her struggle to forgive her dead mother, and, because Lamott’s trademark humor and irreverence mark practically every page, readers will howl with laughter at Lamott’s inability to do anything with Mom’s ashes other than leave them in her closet. But there’s also the real work Lamott is doing here, the hard, slow work of forgiveness, and things can get teary. Still, the book doesn’t quite live up to its predecessor. One example will suffice: Somehow Sam, whom readers first met in utero in Operating Instructions (1993), then as an enchanting grammar-schooler in Traveling, doesn’t make quite as charming a character this time around. Lamott’s approach to parenting an adolescent is not without wisdom, but reading about the Lamotts’ battles over homework is neither entertaining nor illuminating.

Traveling Mercies set a very high standard, and to say that Plan B almost gets there is still to say that it’s a wonderful read Lamott’s legions of fans will no doubt lap up.

Pub Date: March 3, 2005

ISBN: 1-57322-299-2

Page Count: 336

Publisher: Riverhead

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Jan. 1, 2005

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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