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BUSY-EYED DAY

A soothing, natural setting adds to the charm of this sweet, playful book that makes vigorous and profitable use of rhyming...

A pair of siblings, along with their mother and grandmother, share an exciting day at the park.

Two brown-skinned, brown-eyed siblings with Afro-textured hair sit in the grass observing the natural world: One regards a “Big-eyed bug” (a butterfly), the other a “Stalk-eyed slug.” Each following rhyming couplet also includes, often cleverly, the use of the word “eyed,” as the book focuses on the wonders of the natural world and park activities from a sighted perspective. The refrain, “Busy-eyed day at the park,” repeats every few spreads, while the siblings enjoy park fun such as swings and slides as well as less-pleasant pastimes like getting hurt. The illustrations (a combination of digital and hand-drawn techniques) set a tone of pastoral tranquility in the middle of a city, where the pair observe and enjoy various animals and their antics. The book makes a subtle but important point about diversity by depicting the kids’ brown-skinned grandmother as “Blue-eyed.” A particularly humorous set of spreads starts with the sister eyeing a spider’s web with suspicion. The next spread reveals the girl, shocked and possibly horrified, as she meets an arachnid with “Six-eyes? Eight-eyes!” The next spread declares in extra-large font, “See you later,” as the girl and her grandma head off in the opposite direction: “No more spiders. No more bugs.”

A soothing, natural setting adds to the charm of this sweet, playful book that makes vigorous and profitable use of rhyming text. (Picture book. 4-8)

Pub Date: April 10, 2018

ISBN: 978-1-4814-5903-7

Page Count: 32

Publisher: Beach Lane/Simon & Schuster

Review Posted Online: Feb. 3, 2018

Kirkus Reviews Issue: Feb. 15, 2018

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PETE THE CAT'S 12 GROOVY DAYS OF CHRISTMAS

Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among

Pete, the cat who couldn’t care less, celebrates Christmas with his inimitable lassitude.

If it weren’t part of the title and repeated on every other page, readers unfamiliar with Pete’s shtick might have a hard time arriving at “groovy” to describe his Christmas celebration, as the expressionless cat displays not a hint of groove in Dean’s now-trademark illustrations. Nor does Pete have a great sense of scansion: “On the first day of Christmas, / Pete gave to me… / A road trip to the sea. / GROOVY!” The cat is shown at the wheel of a yellow microbus strung with garland and lights and with a star-topped tree tied to its roof. On the second day of Christmas Pete gives “me” (here depicted as a gray squirrel who gets on the bus) “2 fuzzy gloves, and a road trip to the sea. / GROOVY!” On the third day, he gives “me” (now a white cat who joins Pete and the squirrel) “3 yummy cupcakes,” etc. The “me” mentioned in the lyrics changes from day to day and gift to gift, with “4 far-out surfboards” (a frog), “5 onion rings” (crocodile), and “6 skateboards rolling” (a yellow bird that shares its skateboards with the white cat, the squirrel, the frog, and the crocodile while Pete drives on). Gifts and animals pile on until the microbus finally arrives at the seaside and readers are told yet again that it’s all “GROOVY!”

Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among . (Picture book. 4-8)

Pub Date: Sept. 18, 2018

ISBN: 978-0-06-267527-9

Page Count: 48

Publisher: Harper/HarperCollins

Review Posted Online: Aug. 19, 2018

Kirkus Reviews Issue: Sept. 1, 2018

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THE WATER PRINCESS

Though told by two outsiders to the culture, this timely and well-crafted story will educate readers on the preciousness of...

An international story tackles a serious global issue with Reynolds’ characteristic visual whimsy.

Gie Gie—aka Princess Gie Gie—lives with her parents in Burkina Faso. In her kingdom under “the African sky, so wild and so close,” she can tame wild dogs with her song and make grass sway, but despite grand attempts, she can neither bring the water closer to home nor make it clean. French words such as “maintenant!” (now!) and “maman” (mother) and local color like the karite tree and shea nuts place the story in a French-speaking African country. Every morning, Gie Gie and her mother perch rings of cloth and large clay pots on their heads and walk miles to the nearest well to fetch murky, brown water. The story is inspired by model Georgie Badiel, who founded the Georgie Badiel Foundation to make clean water accessible to West Africans. The details in Reynolds’ expressive illustrations highlight the beauty of the West African landscape and of Princess Gie Gie, with her cornrowed and beaded hair, but will also help readers understand that everyone needs clean water—from the children of Burkina Faso to the children of Flint, Michigan.

Though told by two outsiders to the culture, this timely and well-crafted story will educate readers on the preciousness of potable water. (Picture book. 5-8)

Pub Date: Sept. 13, 2016

ISBN: 978-0-399-17258-8

Page Count: 40

Publisher: Putnam

Review Posted Online: May 17, 2016

Kirkus Reviews Issue: June 1, 2016

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