None
The fifth volume in the Vampire Lestat chronicles (The Tale of the Body Thief, etc.) finds Lestat pitted against the greatest adversaries of his bloody life: God and the Devil. Rice's richly descriptive latest—the best plotted of the series—is less horror novel than a knockoff of Dostoevsky's theological battles. Lestat is obsessed by Roger Flynn, a handsome billionaire cocaine smuggler whom he stalks for months and at last kills and dismembers. Then surprise: Roger's ghost turns up drinking Southern Comfort on a Manhattan barstool beside Lestat. All Roger wants is for Lestat to deliver some laundered cash and a trove of religious relics to his daughter, Dora, a New Orleans televangelist. The relics include a fake Veronica's Veil, perhaps 400 years old. Lestat flies Dora by batpower to Manhattan, shows her the apartment full of Roger's fabulous relics and cash. But Lestat hears the Hound of Heaven chasing him, which is also Memnoch the Devil (Satan), who takes Lestat to Limbo, engages him in cosmic chat about evil, and tries to get him to join him as co-ruler in Hell. Memnoch, a fantastic altruist, fights God for the betterment of mankind, especially for souls in Hell who someday deserve to go upstairs to Heaven. Then, after a huge chat with God, who tries to sign Lestat up for His team, the immortal vampire joins Jesus on the way to Calvary, is given the true Veronica's Veil after Christ imprints his bloody face on it, and has a horrific tour of Hell, full of souls trying to wash away their sins. Will Lestat choose Heaven or Hell? And will he get the real Veronica's Veil back to Dora? Not Christ and the Grand Inquisitor, but a vastly daring change of pace for the atheist Lestat, a tormented Ivan Karamazov tied into spiritual knots and left disbelieving his own senses.
None NonePub Date: July 21, 1995
ISBN: 0-679-44101-8
Page Count: 368
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 1995
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
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