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THE VAMPIRE ARMAND

From the The Vampire Chronicles series

Rice at her ripest, with research easily absorbed by the voluptuous text, though she fawns over her weaker, or more...

Here continue the stories of Armand, first met in Interview with the Vampire (1976), and Marius, encountered in the ancient Rome of Pandora and still alive in New Orleans, where he tends the comatose body of top vampire Lestat, who’s returned from Heaven and Hell with Veronica’s Veil (Memnoch the Devil, 1995).

The young Armand, first given the dark gift 500 years ago by Marius, still looks as boyish as a Botticelli angel and remains in thrall to Marius, who’s trying to fathom the long sleep of Lestat and perhaps woo the unwilling Armand away from his two mortal children: dark-haired little Benji, an Arab boy, and the tender, willowy Sybelle. When the recently befanged and elderly scholar David Talbot, Superior General of the Talamasca, an order of psychic detectives, shows up, he is no longer old but has switched to a young body and coaxes Armand (as he did 2,000-year-old Pandora) to relate his memoirs to him. With vague memories of spending his boyhood in Kiev Rus, Armand awoke as an amnesiac boy in Istanbul many centuries ago as slave or captive, and was sold into Venice, where Marius, a great Renaissance painter with a taste for lavish living, took him as a special member of his harem of boys, making him a sex slave. By day, Marius disappears, returns to paint by night, and at last grants Armand eternal life. He educates him in history, philosophy, and the law. Then the Children of Darkness, vampires who kill for God, burn the palazzo and paintings, burn Marius and his harem, and capture Armand. Marius, of course, is not really dead. Eventually, all turns on Armand’s love for Benji and Sybelle, on Rice’s lush reading of Beethoven’s Appassionata piano sonata, and on a dreamy awakening of Lestat as Christ.

Rice at her ripest, with research easily absorbed by the voluptuous text, though she fawns over her weaker, or more sentimental, moments.

Pub Date: Oct. 21, 1998

ISBN: 0-679-45447-0

Page Count: 384

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 1, 1998

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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TO HAVE AND HAVE NOT

A somewhat puzzling book, but — all in all — it is good Hemingway, and a sure sale. Key West and Cuba form the settings for a tough story of men at the end of their tether, grasping at any straw, regardless of risk, to turn a few dollars. Rum-running, smuggling aliens, carrying revolutionary arms. Gangsters, rich sportsmen, sated with routine, dissipated women and men — they are not an incentive to belief in the existence of decent people. But in spite of the hard-boiled, bitter and cruel streak, there is a touch of tenderness, sympathy, humanity. Adventure — somewhat disjointed. The first section seems simply to set the stage — the story starting after the prelude is over. The balance forms a unit, working up to a tragic climax and finale. There is something of The Sun Also Rises,and a Faulkner quality, Faulkner at his best. A book for men — and not for the squeamish. You know your Hemingway market. His first novel in 8 years.

Pub Date: Oct. 15, 1937

ISBN: 0684859238

Page Count: 177

Publisher: Scribner

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Oct. 1, 1937

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