Concerned as she has been with the unique psychic journeying of assimilated American Jews (``masked creatures,'' she calls them in Generation Without Memory, 1981), novelist Roiphe here shuffles shards and snippets from 30 or so lives in one Jewish American family (from 1878 to 1990) in their pursuits of happiness. Then, in teasing homilies to the Reader, and with the narrative distance of a recording angel, this becomes a testament to the universal writhings and struggles of all humans to survive as best they can. In brief encounters, members of the Gruenbaum family are visited and revisited as the author flips back and forth in time. In 1990, Hedy keeps a vigil for her wounded daughter in a Jerusalem hospital; and in 1878, pious Moses and more earthbound Naomi Gruenbaum leave Poland for America, where their son will know that Naomi's (stolen) diamond has more power ``to protect them all'' than his father's ritual garment. (``Reader, you forget that economics precedes religion; worship grew out of eating, not the other way around.'') Through the years and lives, individuals are buffeted by fate, make choices, know the bitterness of finding themselves merely ordinary. Pious, gentle men falter, and others rummage for the good life; there are happy, as well as unhappy, marriages; and women cope in shoddy tenements, in handsomely furnished New York City apartments (possessions, to the newly arrived, are ``signs of safety, a nod of God's head''), and in the stark heat of Israel—where, in 1970, another Moses will die in the desert, a victim of ``an enemy of the Jews.'' There will be murder, desertion, exploitations (the Roy Cohn portrait is memorable), but also acts of love and great courage. Still, however, ``family stories are not morality plays, although they are about morality....Perhaps we are all here to make good stories.'' Moving and innovative—an ethnocentric intuition of the genius of an American family. A special pleasure for Roiphe's following.
Pub Date: June 19, 1991
ISBN: 0-671-66754-8
Page Count: 528
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 1991
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
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