A charming, if not revelatory, portrait of a woman determined to bring French cuisine to a wider audience, with emphasis on...
British founder of the bilingual La Varenne cooking school in Paris, veteran cookbook author and world traveler Willan traces her experiences through piquant anecdotes, including favorite recipes that mark salient memories and friendships.
From her Yorkshire roots to a Cambridge education, training in Paris to marriage, American citizenship, entrance into “worldliness,” the creation of La Varenne, envisioned as an alternative to the famed Cordon Bleu, La Varenne’s closure and her later career teaching at venues such as the Greenbrier Resort in West Virginia, Willan admits to a life often characterized by luck and privilege. With the assistance of Friedman, she narrates with ease, briefly recalling encounters with elite personages and celebrated chefs such as Julia Child. Without self-aggrandizing, such moments vivify a slice of the gastronomic world, particularly during the 1970s, when women were seldom permitted in professional kitchens, nouvelle cuisine was finding its footing, and the explosion of the Food Network had yet to occur. The handful of less-than-flattering scenes—such as those revealing quirks of students and colleagues—are treated with gentle humor, and the author mentions hardships with graceful aplomb. Willan segues between chronology and recipes in a straightforward manner, resulting in an episodic career memoir interwoven with momentous life occasions, from cross-Atlantic moves to weddings and deaths. Compelling chapters on La Varenne in Paris and its courses at Château du Feÿ in Burgundy reveal the pleasures and complications of working in the kitchen, though readers seeking more in-depth details will find these chapters too few.
A charming, if not revelatory, portrait of a woman determined to bring French cuisine to a wider audience, with emphasis on traditional, accessible recipes that respect the intellectual side of cookery. Recommended for Francophiles and culinary enthusiasts.Pub Date: Sept. 17, 2013
ISBN: 978-0-312-64217-4
Page Count: 320
Publisher: St. Martin's
Review Posted Online: Aug. 5, 2013
Kirkus Reviews Issue: Sept. 1, 2013
BOOK REVIEW
The book begins in Sri Lanka with the tsunami of 2004—a horror the author saw firsthand, and the aftermath of which he...
The latest from French writer/filmmaker Carrère (My Life as a Russian Novel, 2010, etc.) is an awkward but intermittently touching hybrid of novel and autobiography.
The book begins in Sri Lanka with the tsunami of 2004—a horror the author saw firsthand, and the aftermath of which he describes powerfully. Carrère and his partner, Hélène, then return to Paris—and do so with a mutual devotion that's been renewed and deepened by all they've witnessed. Back in France, Hélène's sister Juliette, a magistrate and mother of three small daughters, has suffered a recurrence of the cancer that crippled her in adolescence. After her death, Carrère decides to write an oblique tribute and an investigation into the ravages of grief. He focuses first on Juliette's colleague and intimate friend Étienne, himself an amputee and survivor of childhood cancer, and a man in whose talkativeness and strength Carrère sees parallels to himself ("He liked to talk about himself. It's my way, he said, of talking to and about others, and he remarked astutely that it was my way, too”). Étienne is a perceptive, dignified person and a loyal, loving friend, and Carrère's portrait of him—including an unexpectedly fascinating foray into Étienne and Juliette's chief professional accomplishment, which was to tap the new European courts for help in overturning longtime French precedents that advantaged credit-card companies over small borrowers—is impressive. Less successful is Carrère's account of Juliette's widower, Patrice, an unworldly cartoonist whom he admires for his fortitude but seems to consider something of a simpleton. Now and again, especially in the Étienne sections, Carrère's meditations pay off in fresh, pungent insights, and his account of Juliette's last days and of the aftermath (especially for her daughters) is quietly harrowing.Pub Date: Sept. 13, 2011
ISBN: 978-0-8050-9261-5
Page Count: 256
Publisher: Metropolitan/Henry Holt
Review Posted Online: Aug. 10, 2011
Kirkus Reviews Issue: Sept. 1, 2011
A standout immigrant coming-of-age story.
In her first nonfiction book, novelist Grande (Dancing with Butterflies, 2009, etc.) delves into her family’s cycle of separation and reunification.
Raised in poverty so severe that spaghetti reminded her of the tapeworms endemic to children in her Mexican hometown, the author is her family’s only college graduate and writer, whose honors include an American Book Award and International Latino Book Award. Though she was too young to remember her father when he entered the United States illegally seeking money to improve life for his family, she idolized him from afar. However, she also blamed him for taking away her mother after he sent for her when the author was not yet 5 years old. Though she emulated her sister, she ultimately answered to herself, and both siblings constantly sought affirmation of their parents’ love, whether they were present or not. When one caused disappointment, the siblings focused their hopes on the other. These contradictions prove to be the narrator’s hallmarks, as she consistently displays a fierce willingness to ask tough questions, accept startling answers, and candidly render emotional and physical violence. Even as a girl, Grande understood the redemptive power of language to define—in the U.S., her name’s literal translation, “big queen,” led to ridicule from other children—and to complicate. In spelling class, when a teacher used the sentence “my mamá loves me” (mi mamá me ama), Grande decided to “rearrange the words so that they formed a question: ¿Me ama mi mamá? Does my mama love me?”
A standout immigrant coming-of-age story.Pub Date: Aug. 28, 2012
ISBN: 978-1-4516-6177-4
Page Count: 320
Publisher: Atria
Review Posted Online: June 11, 2012
Kirkus Reviews Issue: July 1, 2012
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