A clever and charming time-travel adventure.

Don't Know Where, Don't Know When

From the The Snipesville Chronicles series , Vol. 1

With help from a mysterious professor, three intrepid children travel back in time and then must figure out how to get home.

In this first installment of the Snipesville Chronicles, Laing (Look Ahead, Look Back, 2012) introduces three plucky children who accidentally stumble across the ability to travel back in time. Hannah Dias and her brother, Alex, have just moved from San Francisco to the sleepy town of Snipesville, Georgia, and Hannah especially is bored by her new surroundings. On their first day at a new summer camp, they meet Brandon, a young, nerdy African-American kid interested in World War II history. When the three encounter a mysterious professor, they suddenly find themselves in WWII–era London during the Blitz. With occasional help from the professor, who appears to guide them, Hannah, Alex, and Brandon must find a lost boy named George Braithwaite before they can return home; in the meantime, they must quickly adjust to their new surroundings. Laing, herself a history professor, crafts an endearing, clever story that remains coherent despite the perils of a time-travel plot. Her keen eye for historical detail of the period and the struggles the kids face (particularly Brandon) helps bring her setting vividly to life. Moreover, the lessons they learn and the dangers they face ring true as the kids slowly get a sense of life’s difficulties in the era. There are a few instances where dialogue and characterization fall a bit flat; for instance, sulky teenage Hannah has a few too many lines like “Why don’t you mind your own stupid business?” that feel a little canned. Nevertheless, the story’s charms will draw readers in and keep them engrossed until the very end, and the tightly structured narrative ensures that the pieces of the mystery come together well and that each twist feels plausible. This being the first of a series, let’s hope the next installments continue to infuse historical fiction with the same sense of joy and wonder.

A clever and charming time-travel adventure.

Pub Date: Aug. 20, 2007

ISBN: 978-0979476945

Page Count: 204

Publisher: Confusion Press

Review Posted Online: May 26, 2015

Kirkus Reviews Issue: July 1, 2015

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Hits the marks for spooky thrills and mysterious chills.

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BOOK OF NIGHT

A former thief who specialized in stealing magical documents is forced back into her old habits in Black's adult debut.

Charlie Hall used to work as a thief, stealing for and from magicians—or rather, “gloamists.” In this world, gloamists are people with magical shadows that are alive, gaining strength from the gloamists' own blood. A gloamist can learn to manipulate the magic of their shadow, doing everything from changing how it looks to using it to steal, possess a person, or even murder. Gloamists hire nonmagical people like Charlie to steal precious and rare magical documents written by their kind throughout history and detailing their research and experiments in shadow magic. Gloamists can use onyx to keep each other from sending shadows to steal these treasures, but onyx won't stop regular humans from old-fashioned breaking and entering. After Charlie’s talent for crime gets her into too much trouble, she swears off her old career and tries to settle down with her sensible boyfriend, Vince—but when she finds a dead man in an alley and notices that even his shadow has been ripped to pieces, she can’t help trying to figure out who he was and why he met such a gruesome end. Before she knows it, Charlie is forced back into a life of lies and danger, using her skills as a thief to find a book that could unleash the full and terrifying power of the shadow world. Black is a veteran fantasy writer, which shows in the opening pages as she neatly and easily guides the reader through the engrossing world of gloamists, magical shadows, and Charlie’s brand of criminality. There's a lot of flipping back and forth between the past and the present, and though both timelines are well plotted and suspenseful, the story leans a touch too hard on the flashbacks. Still, the mystery elements are well executed, as is Charlie’s characterization, and the big twist at the end packs a satisfying punch.

Hits the marks for spooky thrills and mysterious chills.

Pub Date: May 3, 2022

ISBN: 978-1-250-81219-3

Page Count: 320

Publisher: Tor

Review Posted Online: Feb. 5, 2022

Kirkus Reviews Issue: March 1, 2022

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A deep and grimly whimsical exploration of what it means to be a son, a father, and an artist.

THE SWALLOWED MAN

A retelling of Pinocchio from Geppetto's point of view.

The novel purports to be the memoirs of Geppetto, a carpenter from the town of Collodi, written in the belly of a vast fish that has swallowed him. Fortunately for Geppetto, the fish has also engulfed a ship, and its supplies—fresh water, candles, hardtack, captain’s logbook, ink—are what keep the Swallowed Man going. (Collodi is, of course, the name of the author of the original Pinocchio.) A misfit whose loneliness is equaled only by his drive to make art, Geppetto scours his surroundings for supplies, crafting sculptures out of pieces of the ship’s wood, softened hardtack, mussel shells, and his own hair, half hoping and half fearing to create a companion once again that will come to life. He befriends a crab that lives all too briefly in his beard, then mourns when “she” dies. Alone in the dark, he broods over his past, reflecting on his strained relationship with his father and his harsh treatment of his own “son”—Pinocchio, the wooden puppet that somehow came to life. In true Carey fashion, the author illustrates the novel with his own images of his protagonist’s art: sketches of Pinocchio, of woodworking tools, of the women Geppetto loved; photos of driftwood, of tintypes, of a sculpted self-portrait with seaweed hair. For all its humor, the novel is dark and claustrophobic, and its true subject is the responsibilities of creators. Remembering the first time he heard of the sea monster that was to swallow him, Geppetto wonders if the monster is somehow connected to Pinocchio: “The unnatural child had so thrown the world off-balance that it must be righted at any cost, and perhaps the only thing with the power to right it was a gigantic sea monster, born—I began to suppose this—just after I cracked the world by making a wooden person.” Later, contemplating his self-portrait bust, Geppetto asks, “Monster of the deep. Am I, then, the monster? Do I nightmare myself?”

A deep and grimly whimsical exploration of what it means to be a son, a father, and an artist.

Pub Date: Jan. 26, 2021

ISBN: 978-0-593-18887-3

Page Count: 208

Publisher: Riverhead

Review Posted Online: Sept. 30, 2020

Kirkus Reviews Issue: Oct. 15, 2020

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