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ME, TOO!

With its familiar themes and fizzy text, this is one both listeners and readers will enjoy.

Annie is worried when her best friend, Lillemor, befriends Lilianne, the new girl at school.

Annie likes the fact that she and Lillemor have so much in common, which she enumerates in large faux handwritten letters. The fourth reason adds humor to the already lighthearted art and text, when Annie declares that the girls “can both speak another language.” A genuine Swedish phrase comes from Lillemor’s cartoon bubble, translated on the page as “I can speak Swedish,” but Annie’s bubble reads, “Maka looka Oinky Boinky,” translated as, “I can speak Oinky Boinky.” Annie is worried when, instead of receiving her usual hug from Lillemor as she arrives at school one day, she sees Lillemor jumping rope with Lilianne. Her alarm rises as she notes all of the commonalities the other two girls share. All three girls have large heads with friendly faces on small bodies, with differing skin tones and hairdos. The backgrounds are simple, brightly colored and cartoonlike, making good use of negative space. There is no doubt that a happy ending is coming; the silliness and the frequent translations of phrases in three languages (two legitimate and one made up) are what will keep readers engaged. Besides, who can resist reading aloud such phrases as, “Maka kooka Uugghhh!” and “Ooga booga meow!”?

With its familiar themes and fizzy text, this is one both listeners and readers will enjoy. (Picture book. 3-7)

Pub Date: April 1, 2015

ISBN: 978-1-77138-104-8

Page Count: 32

Publisher: Kids Can

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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THE MOST MAGNIFICENT THING

Spires’ understanding of the fragility and power of the artistic impulse mixes with expert pacing and subtle...

Making things is difficult work. Readers will recognize the stages of this young heroine’s experience as she struggles to realize her vision.

First comes anticipation. The artist/engineer is spotted jauntily pulling a wagonload of junkyard treasures. Accompanied by her trusty canine companion, she begins drawing plans and building an assemblage. The narration has a breezy tone: “[S]he makes things all the time. Easy-peasy!” The colorful caricatures and creations contrast with the digital black outlines on a white background that depict an urban neighborhood. Intermittent blue-gray panels break up the white expanses on selected pages showing sequential actions. When the first piece doesn’t turn out as desired, the protagonist tries again, hoping to achieve magnificence. A model of persistence, she tries many adjustments; the vocabulary alone offers constructive behaviors: she “tinkers,” “wrenches,” “fiddles,” “examines,” “stares” and “tweaks.” Such hard work, however, combines with disappointing results, eventually leading to frustration, anger and injury. Explosive emotions are followed by defeat, portrayed with a small font and scaled-down figures. When the dog, whose expressions have humorously mirrored his owner’s through each phase, retrieves his leash, the resulting stroll serves them well. A fresh perspective brings renewed enthusiasm and—spoiler alert—a most magnificent scooter sidecar for a loyal assistant.

Spires’ understanding of the fragility and power of the artistic impulse mixes with expert pacing and subtle characterization for maximum delight. (Picture book. 4-7)

Pub Date: April 1, 2014

ISBN: 978-1-55453-704-4

Page Count: 32

Publisher: Kids Can

Review Posted Online: Feb. 25, 2014

Kirkus Reviews Issue: March 15, 2014

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ON THE FIRST DAY OF KINDERGARTEN

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...

Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.

The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)

Pub Date: June 21, 2016

ISBN: 978-0-06-234834-0

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: June 1, 2016

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