At the onset of World War II, Jewish Stephanie and her younger sister, Nellie, are sent to a Swedish island to live with separate host families while they await their parents’ visas to America. Even after the turmoil of Vienna, Stephie struggles with separation from her sister and living with strict Aunt Marta in lonely isolation, while Nellie quickly finds friends and comfort. As time passes and her Swedish improves, Stephie learns more about why her circumstances are more difficult than Nellie’s. While the parents encounter multiple barriers to reuniting the family, some small adjustments are made in the girls’ daily lives to ease their situation. The increasing involvement of Sweden in the war provides a commonality between the girls and the villagers, allowing Stephie to look outside her pain to find an inner strength and determination that she never knew she had. Straightforwardly told in the present tense and easier for tender hearts than the brutal stories of concentration camps, this still conveys the reality of war and the suffering of those displaced by it. (Historical fiction. 9-14)
Pub Date: Nov. 11, 2009
ISBN: 978-0-385-73617-6
Page Count: 256
Publisher: Delacorte
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 2009
BOOK REVIEW
Trusting its readers implicitly with its moral complexity, Wolk’s novel stuns.
Evil comes to rural Pennsylvania in an unlikely guise in this novel of the American homefront during World War II.
Twelve-year-old Annabelle’s coming-of-age begins when newcomer Betty Glengarry, newly arrived from the city to stay with her grandparents “because she wasincorrigible,” shakes her down for spare change in Wolf Hollow on the way to school. Betty’s crimes quickly escalate into shocking violence, but the adults won’t believe the sweet-looking blonde girl could be responsible and settle their suspicions on Toby, an unkempt World War I veteran who stalks the hills carrying not one, but three guns. Annabelle’s strategies for managing a situation she can’t fully understand are thoroughly, believably childlike, as is her single-minded faith in Betty’s guilt and Toby’s innocence. But her childlike faith implicates her in a dark and dangerous mystery that propels her into the adult world of moral gray spaces. Wolk builds her story deliberately through Annabelle’s past-tense narration in language that makes no compromises but is yet perfectly simple: “Back then, I didn’t know a word to describe Betty properly or what to call the thing that set her apart from the other children in that school.” She realizes her setting with gorgeous immediacy, introducing the culture of this all-white world of hollows, hills, and neighbors with confidence and cleareyed affection.
Trusting its readers implicitly with its moral complexity, Wolk’s novel stuns. (Historical fiction. 9-13)Pub Date: April 26, 2016
ISBN: 978-1-101-99482-5
Page Count: 304
Publisher: Dutton
Review Posted Online: Feb. 1, 2016
Kirkus Reviews Issue: Feb. 15, 2016
Luminescent, just like the artwork it celebrates. (Historical fiction. 10-14)
Traumatized by his father’s recent death, a boy throws a brick at an old man who collects junk in his neighborhood and winds up on probation working for him.
Pearsall bases the book on a famed real work of folk art, the Throne of the Third Heaven, by James Hampton, a janitor who built his work in a garage in Washington, D.C., from bits of light bulbs, foil, mirrors, wood, bottles, coffee cans, and cardboard—the titular seven most important things. In late 1963, 13-year-old Arthur finds himself looking for junk for Mr. Hampton, who needs help with his artistic masterpiece, begun during World War II. The book focuses on redemption rather than art, as Hampton forgives the fictional Arthur for his crime, getting the boy to participate in his work at first reluctantly, later with love. Arthur struggles with his anger over his father’s death and his mother’s new boyfriend. Readers watch as Arthur transfers much of his love for his father to Mr. Hampton and accepts responsibility for saving the art when it becomes endangered. Written in a homespun style that reflects the simple components of the artwork, the story guides readers along with Arthur to an understanding of the most important things in life.
Luminescent, just like the artwork it celebrates. (Historical fiction. 10-14)Pub Date: Sept. 8, 2015
ISBN: 978-0-553-49728-1
Page Count: 288
Publisher: Knopf
Review Posted Online: June 9, 2015
Kirkus Reviews Issue: July 1, 2015
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