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ACADEMY X

Anonymously written by a Manhattan prep-school teacher, this debut aspires to social satire, but much of the humor is...

A conspiracy to get a rich man’s daughter into Princeton ensnares an idealistic prep-school teacher.

A few weeks before summer is not the easiest time to keep the students of Academy X focused on the book in front of them, which, for John Spencer’s senior lit class, is Emma. Half his time is spent reminding students to refer to the titular character as Jane Austen dubbed her and not as Hollywood cast her (Gwyneth Paltrow). The rest is spent quelling class wars between the wealthy and the ultra-wealthy and more primitive fights between brains and brawn. Par for the course, John thinks, for end-of-school-year antics . . . until his most comely, most scantily clad student, Caitlyn Brie, approaches him for help. She was accepted at Wellesley, but only wait-listed at Princeton. Wellesley won’t do. Pressure to write Caitlyn a second, stronger letter of recommendation rises when the head of the College Counseling Department reminds John that Caitlyn’s father is a big Academy X donor. Two tickets for floor seats at a Knicks playoff game appear anonymously in John’s mailbox, and since he is trying to woo Amy, a new assistant librarian, he yields. Shortly thereafter, everything unhinges: Amy may not be as innocent as John imagines . . . and neither is Caitlyn: She committed plagiarism. Determined to expose the crime, John finds himself charged with sexual harassment and bribery. He enlists a motley group to help him clear his name: a handful of loyal students, an art teacher who won’t admit her boyfriend is gay and a science teacher who thinks evolutionary biology will help him find a date. Can this band take on the trustees’ bank accounts, their lawyers and the shamelessly competitive English faculty, who all covet the post of department head, which rightly belongs to John?

Anonymously written by a Manhattan prep-school teacher, this debut aspires to social satire, but much of the humor is canned. Stick with the original, Lucky Jim.

Pub Date: June 13, 2006

ISBN: 1-59691-177-8

Page Count: 224

Publisher: Bloomsbury

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 1, 2006

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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