Anonymously written by a Manhattan prep-school teacher, this debut aspires to social satire, but much of the humor is...
A conspiracy to get a rich man’s daughter into Princeton ensnares an idealistic prep-school teacher.
A few weeks before summer is not the easiest time to keep the students of Academy X focused on the book in front of them, which, for John Spencer’s senior lit class, is Emma. Half his time is spent reminding students to refer to the titular character as Jane Austen dubbed her and not as Hollywood cast her (Gwyneth Paltrow). The rest is spent quelling class wars between the wealthy and the ultra-wealthy and more primitive fights between brains and brawn. Par for the course, John thinks, for end-of-school-year antics . . . until his most comely, most scantily clad student, Caitlyn Brie, approaches him for help. She was accepted at Wellesley, but only wait-listed at Princeton. Wellesley won’t do. Pressure to write Caitlyn a second, stronger letter of recommendation rises when the head of the College Counseling Department reminds John that Caitlyn’s father is a big Academy X donor. Two tickets for floor seats at a Knicks playoff game appear anonymously in John’s mailbox, and since he is trying to woo Amy, a new assistant librarian, he yields. Shortly thereafter, everything unhinges: Amy may not be as innocent as John imagines . . . and neither is Caitlyn: She committed plagiarism. Determined to expose the crime, John finds himself charged with sexual harassment and bribery. He enlists a motley group to help him clear his name: a handful of loyal students, an art teacher who won’t admit her boyfriend is gay and a science teacher who thinks evolutionary biology will help him find a date. Can this band take on the trustees’ bank accounts, their lawyers and the shamelessly competitive English faculty, who all covet the post of department head, which rightly belongs to John?
Anonymously written by a Manhattan prep-school teacher, this debut aspires to social satire, but much of the humor is canned. Stick with the original, Lucky Jim.Pub Date: June 13, 2006
ISBN: 1-59691-177-8
Page Count: 224
Publisher: Bloomsbury
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 2006
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.
Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
IN THE NEWS
SEEN & HEARD
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