Anyone who has ever watched American Idol, and that will be almost everyone, will have the immense satisfaction of the...
Written anonymously (by an insider?), this thinly veiled account of American Idol’s first season with Steven Tyler and JLo is a hilarious tour into the world of reality divas.
Sasha King is a recent college grad working on her Novel of Immense Profundity. While struggling on the second paragraph, she takes a position at the Rabbit Network as an assistant’s assistant, but when her boss, Bill, becomes injured, Sasha (known as the new Bill to everyone on set) becomes the acting assistant producer of Project Icon. Since the flaky judge disappeared and the mean judge, Nigel Crowther, left to start his own talent competition, Project Icon is in the hot seat; ratings have been down, and they need to find two judges before Rabbit’s owner, Sir Harold Killoch, cuts the show. After the kind of surreal demands only the most childish humans—stars—can negotiate, rock icon Joey Lovecraft and actress-singer-merchandiser Bibi Vasquez come on board. The novel’s impersonation of Steven Tyler’s verbal gymnastics is so dead-on, so charmingly nutty, kudos are in order. Bibi Vasquez (the JLo stand-in) comes off less attractively—as a driven, foulmouthed hunter, out for blood, even if she’s not sure why. The most sneering portrait is reserved for the show’s host, Wayne Shoreline, a workaholic sociopath who is sexually neutral and whose culinary tastes are satisfied at the pet store. Occasionally, Sasha has a few moments to devote to a personal life: trying to reconnect with her stoner boyfriend in Hawaii, working on her novel (which consists of deleting most of the first paragraph) and even finding happiness tentatively with an LA guy, found by her nosy Russian landlord. But of course, even Sasha knows her life pales under the starlight of the Icon universe, what with the drugs, the sex and the scandal lurking at every turn.
Anyone who has ever watched American Idol, and that will be almost everyone, will have the immense satisfaction of the “inside scoop,” real or not.Pub Date: Jan. 8, 2013
ISBN: 978-0-547-94207-0
Page Count: 304
Publisher: Amazon/New Harvest
Review Posted Online: Sept. 26, 2012
Kirkus Reviews Issue: Oct. 15, 2012
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.
Pub Date: Nov. 7, 1990
ISBN: 0394588169
Page Count: 424
Publisher: Knopf
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: Oct. 15, 1990
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