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STANDING IN THE SUN

A LIFE OF J.M.W. TURNER

A thorough, careful biography of a talented, deeply evasive English painter whose own contemporaries knew little of him. Bailey, a former staff writer for the New Yorker and author of some 20 books (The Coast of Summer, 1994, etc.), undertook a difficult task in writing this. For even during the artist’s lifetime, Turner took great pains to deny his past, ignoring or obliterating his various tragedies. Nonetheless, Bailey has created a convincing portrait of the man by plowing assiduously through historical records, archives, and earlier biographies. The painter who appears in these pages is anything but a sympathetic character: After his mother was committed to the notorious Bethlehem Hospital for the insane when Turner was just 26, he never spoke of her again. Upon her death just two years later, his secretiveness intensified. Given his subject’s lifelong elusiveness, Bailey has done an admirable job of refracting Turner’s personality through detailed and lively descriptions of his social milieu and the writings of his peers. Apparently, even his contemporaries found this small, bandy-legged, and homely man perplexing. His friend and colleague David Roberts, while acknowledging Turner’s “profound greatness,” for example, also wrote that he was “selfish to an extream . . . [and] cunning, penurious & sensual.” Few ever knew that Turner first lived with one widow, fathered two daughters by her, and subsequently took up with another; he never married either. Of his artistic life, by comparison, much is known: Turner’s talents were recognized in childhood, were fostered in the Royal Academy, and they remained the subject of much debate. Bailey balances each aspect—the personal and the professional—well, and even manages to convey his own compassion for his paradoxical subject. —His contradictions have puzzled many,— he writes, —but they endear him to me.— Without ever denying Turner’s quirks and petty cruelties, Bailey gradually illuminates the artist’s character.

Pub Date: Dec. 31, 1998

ISBN: 0-06-118002-5

Page Count: 512

Publisher: HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 1998

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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GENGHIS KHAN AND THE MAKING OF THE MODERN WORLD

A horde-pleaser, well-written and full of surprises.

“The Mongols swept across the globe as conquerors,” writes the appreciative pop anthropologist-historian Weatherford (The History of Money, 1997, etc.), “but also as civilization’s unrivaled cultural carriers.”

No business-secrets fluffery here, though Weatherford does credit Genghis Khan and company for seeking “not merely to conquer the world but to impose a global order based on free trade, a single international law, and a universal alphabet with which to write all the languages of the world.” Not that the world was necessarily appreciative: the Mongols were renowned for, well, intemperance in war and peace, even if Weatherford does go rather lightly on the atrocities-and-butchery front. Instead, he accentuates the positive changes the Mongols, led by a visionary Genghis Khan, brought to the vast territories they conquered, if ever so briefly: the use of carpets, noodles, tea, playing cards, lemons, carrots, fabrics, and even a few words, including the cheer hurray. (Oh, yes, and flame throwers, too.) Why, then, has history remembered Genghis and his comrades so ungenerously? Whereas Geoffrey Chaucer considered him “so excellent a lord in all things,” Genghis is a byword for all that is savage and terrible; the word “Mongol” figures, thanks to the pseudoscientific racism of the 19th century, as the root of “mongoloid,” a condition attributed to genetic throwbacks to seed sown by Mongol invaders during their decades of ravaging Europe. (Bad science, that, but Dr. Down’s son himself argued that imbeciles “derived from an earlier form of the Mongol stock and should be considered more ‘pre-human, rather than human.’ ”) Weatherford’s lively analysis restores the Mongols’ reputation, and it takes some wonderful learned detours—into, for instance, the history of the so-called Secret History of the Mongols, which the Nazis raced to translate in the hope that it would help them conquer Russia, as only the Mongols had succeeded in doing.

A horde-pleaser, well-written and full of surprises.

Pub Date: March 2, 2004

ISBN: 0-609-61062-7

Page Count: 320

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2003

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