Berkeley makes his highly artificial plot consistently lively, amusing, and treasurable.
Berkeley games the conventions of golden-age whodunits yet again in this ghoulish bonbon first published in 1933.
At a tasteful party given by Ronald Stratton, whose guests are attired as famous murderers and their victims, Roger Sheringham finds his attention divided between a triple gallows installed on his host’s roof with three stuffed corpses dangling from their nooses—two “jumping jacks” and a distaff “jumping jenny”—and the figure of Ena Stratton, the striking wife of Ronald’s brother, David. Soon after he chats with Ena and finds that a little of her goes a long way, she does him the favor of focusing his attention on a single point again by getting strung up on the gallows herself after the party has ended. It hardly seems possible that she could have leaped into the noose herself without the support of a chair, whose precise location becomes the focus of the police investigation. If she had help getting into her last scene, her killer was clearly one of the party guests, and Colin Nicolson, who was dressed as the poisoner William Palmer, is convinced that that killer was Roger, whom he caught wiping the fingerprints off the chair in question. Unmoved by Roger’s desire to protect someone else, Nicolson assures him that he’d never turn Roger in, since he surely had his reasons. As Roger embarks on a quest to identify the real murderer to spare himself further genteel embarrassment at Nicolson’s hands, readers privy to a fateful encounter of Ena’s that Roger missed will have their own very definite ideas who the culprit is.
Berkeley makes his highly artificial plot consistently lively, amusing, and treasurable.Pub Date: Jan. 17, 2023
ISBN: 978-1-72826-757-9
Page Count: 288
Publisher: Poisoned Pen
Review Posted Online: Nov. 15, 2022
Kirkus Reviews Issue: Dec. 1, 2022
The delightful debut of a classic, prolific detective.
It takes a quirky sleuth to solve a baffling closed-door murder.
The author himself or, more accurately, some version of him, walks the reader through a “gruesome murder” that occurred in a rural farming village. At the center of the crime is the wealthy Ichiyanagi family, including the widow Itoko and her five children. The “heinous crime” occurs in the evening after the festive wedding of eldest son Kenzo to schoolteacher Katsuko. Yokomizo, part narrator and part raconteur, liberally shares digressions such as the fact that his favorite British author is A.A. Milne, who wrote The Red House Mystery as well as the books about Winnie-the-Pooh. Written in 1946 but set in 1937 before the devastation of World War II, this is the first novel featuring Kosuke Kindaichi, the legendary detective who appeared in more than 70 stories by Yokomizo. If Yokomizo is the Japanese Agatha Christie, Kindaichi may seem the Japanese Hercule Poirot—although actually, given his unkempt hair and apparently distracted manner, he’s more a cross between Poirot and Columbo. Shrewdly, his entrance is delayed until midway through the novel, after the police have stalled and both the family and the reader are anxious for a solution. The narrator’s garrulous charm, in a mystery long on logistics and forensic clues but short on detailed character portraits or extended interactions, is a key to the novel’s success, leavening the more intricate pieces of the puzzle. Armchair detectives will welcome the helpful character list that precedes the story.
The delightful debut of a classic, prolific detective.Pub Date: yesterday
ISBN: 9781805336549
Page Count: 192
Publisher: Pushkin Vertigo
Review Posted Online: July 20, 2026
Kirkus Reviews Issue: Aug. 15, 2026
BOOK REVIEW
BOOK REVIEW
Intrigue, murder, and vengeance make for a darkly enjoyable read.
A woman’s life takes a stunning turn and a wall comes tumbling down in this tense Cold War spy drama.
In Berlin in 1989, the wall is about to crumble, and Anne Simpson’s husband, Stefan Koehler, goes missing. She is a translator working with refugees from the communist bloc, and he is a piano tuner who travels around Europe with orchestras. Or so he claims. German intelligence service the BND and America’s CIA bring her in for questioning, wrongly thinking she’s protecting him. Soon she begins to learn more about Stefan, whom she had met in the Netherlands a few years ago. She realizes he’s a “gregarious musician with easy charm who collected friends like a beachcomber collects shells, keeping a few, discarding most.” Police find his wallet in a canal and his prized zither in nearby bushes but not his body. Has he been murdered? What’s going on? And why does the BND care? If Stefan is alive, he’s in deep trouble, because he’s believed to be working for the Stasi. She’s told “the dead have a way of showing up. It is only the living who hide.” And she’s quite believable when she wonders, “Can you grieve for someone who betrayed you?” Smart and observant, she notes that the reaction by one of her interrogators is “as false as his toupee. Obvious, uncalled for, and easily put on.” Lurking behind the scenes is the Matchmaker, who specializes in finding women—“American. Divorced. Unhappy,” and possibly having access to Western secrets—who will fall for one of his Romeos. Anne is the perfect fit. “The matchmaker turned love into tradecraft,” a CIA agent tells her. But espionage is an amoral business where duty trumps decency, and “deploring the morality of spies is like deploring violence in boxers.” It’s a sentiment John le Carré would have endorsed, but Anne may have the final word.
Intrigue, murder, and vengeance make for a darkly enjoyable read.Pub Date: Feb. 1, 2022
ISBN: 978-1-64313-865-7
Page Count: 352
Publisher: Pegasus Crime
Review Posted Online: Jan. 11, 2022
Kirkus Reviews Issue: Feb. 1, 2022
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