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GONE BAMBOO

For his second course, Bourdain, novelist (Bone in the Throat, 1995) and chef (at Sullivan's, in Manhattan), dishes up a sorry, soggy mess of a stew in which a good-hearted hit man finds himself on the spot with both mob chieftains and law-enforcement agencies. Hired by an ambitious cross-dressing mafioso named Pazz Calabrese to eliminate his two immediate superiors, Henry Denard dispatches one but only wounds the other, D'Andrea (Donnie Wicks) Balistierian aging capo di tutti capi in New York. After returning to Saint Martin, the idyllic West Indian haven he calls home, the hired gun (a decorated Vietnam vet who went on to work for the CIA) learns his wounded target has turned informant and will testify against former partners in crime. What's more, an accommodating interpretation of the Witness Protection Act allows Donnie Wicks (and a small army of US marshals) to take up residence on Saint Martin. Concerned that he and his hardcase wife Frances may have to find another place to live, Henry talks his way inside the former don's compound for a meet. Not to worry, the elderly outlaw has the nothing-personal aspect of gangdom's business down pat, and he soon takes a shine to the professional killer as well as to his lovely, lethal lady. In the meantime, the expatriate godfather's former underlings mount a deadly campaign to silence him. In the wake of a furious assault on his island home (which costs six feds and a like number of Dominican nationals their lives), Donnie Wicks (now under the protection of venal French officials) is reported dead. As a favor to the American authorities cheated of a show trial, Henry heads north to waste the kinky Calabrese and his top lieutenants with a light anti-tank weapon on a New Jersey construction site. At the close, he's drinking and living it up with Frances and Donnie Wicks at his Caribbean hideaway. In the parlance of cuisine: tripe. (Author tour)

Pub Date: Sept. 1, 1997

ISBN: 0-679-44880-2

Page Count: 304

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 1997

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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LONESOME DOVE

A NOVEL (SIMON & SCHUSTER CLASSICS)

This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.

Pub Date: June 1, 1985

ISBN: 068487122X

Page Count: 872

Publisher: Simon & Schuster

Review Posted Online: Sept. 30, 2011

Kirkus Reviews Issue: May 15, 1985

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