A verbose but often powerful set of tales that span the ages.
Debut author Carcirieri presents a collection of stories, all loosely connected to the planet Venus.
These tales tell of many journeys, set in time periods that range from the days of Creation to the year 2023. In “Colossus Is Falling,” set in 226 B.C.E., the Colossus (who’s actually the patron god Helios) stands watch over the island of Rhodes. None of the locals, including the narrator, Chronikulos, can predict that the great statue’s days are numbered—as are those of another statue known as the Marine Venus. In another story, set in ancient Rome, a cunning woman known popularly as the Great Lady of Rome revels in all the decadence her surroundings have to offer. When she becomes the victim of violence, she reflects on things that endure “year after year, just like the star of goddess Venus.” In “Da Foist Men on Venus,” set in 1922, mobsters on the lam wind up at the house of a professor who happens to have a working spaceship. All the stories in this collection relate in some way to the second planet from the sun, even if it simply proves to be the name of a warhorse, as in “The Emperor’s Planet.” One character gazes at Venus in the sky, “mesmerized, totally unaware of what’s around me.” Although the lengths of the stories vary in this massive collection, spanning more than 750 pages, all are abundantly detailed. However, Carcirieri’s vivid descriptions work best during chaotic scenes; for instance, an account of events at the Roman Colosseum paints a clear picture of violence, fear, and the “boiling energy that consumed the spirit.” The ambitious swath of geographical settings and time periods paints a wide-ranging portrait of human history; from Napoleon to a hangman in the Old West, all toil under the indifferent stars.
A verbose but often powerful set of tales that span the ages.Pub Date: May 25, 2022
ISBN: 978-1-66244-116-5
Page Count: 798
Publisher: Page Publishing, Inc.
Review Posted Online: June 6, 2022
Kirkus Reviews Issue: Aug. 1, 2022
Review Program: Kirkus Indie
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
A sugarcoated take on midcentury suburbia.
A lively and unabashedly sentimental novel examines the impact of feminism on four upper-middle-class white women in a suburb of Washington, D.C., in 1963.
Transplanted Ohioan Margaret Ryan—married to an accountant, raising three young children, and decidedly at loose ends—decides to recruit a few other housewives to form a book club. She’s thinking A Tree Grows in Brooklyn, but a new friend, artistic Charlotte Gustafson, suggests Betty Friedan’s brand-new The Feminine Mystique. They’re joined by young Bitsy Cobb, who aspired to be a veterinarian but married one instead, and Vivian Buschetti, a former Army nurse now pregnant with her seventh child. The Bettys, as they christen themselves, decide to meet monthly to read feminist books, and with their encouragement of each other, their lives begin to change: Margaret starts writing a column for a women’s magazine; Viv goes back to work as a nurse; Charlotte and Bitsy face up to problems with demanding and philandering husbands and find new careers of their own. The story takes in real-life figures like the Washington Post’s Katharine Graham and touches on many of the tumultuous political events of 1963. Bostwick treats her characters with generosity and a heavy dose of wish-fulfillment, taking satisfying revenge on the wicked and solving longstanding problems with a few well-placed words, even showing empathy for the more well-meaning of the husbands. As historical fiction, the novel is hampered by its rosy optimism, but its take on the many micro- and macroaggressions experienced by women of the era is sound and eye-opening. Although Friedan might raise an eyebrow at the use her book’s been put to, readers will cheer for Bostwick’s spunky characters.
A sugarcoated take on midcentury suburbia.Pub Date: April 22, 2025
ISBN: 9781400344741
Page Count: 384
Publisher: Harper Muse
Review Posted Online: Feb. 1, 2025
Kirkus Reviews Issue: March 1, 2025
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