The most conventional of Horowitz’s mysteries to date still reads like a golden-age whodunit on steroids.
Except for the atrocities of World War II, there hasn’t been a murder on the Channel Island of Alderney from time immemorial. The staging of the Alderney Lit Fest brings that streak to a decided end.
The powers that be at Penguin Random House want to send retired DI Daniel Hawthorne and Anthony Horowitz, the writer who fictionalizes the mysteries Hawthorne’s solved, to Alderney. Anthony, always grousing at being treated like a second-class collaborator, is willing to go, and so, surprisingly, is the reclusive Hawthorne. The other luminaries invited to the tiny island include blind psychic Elizabeth Lovell, TV chef Marc Bellamy, war historian George Elkin, children’s franchiser Anne Cleary, and French performance poet Maïssa Lamar. No sooner have the festivities begun than Charles le Mesurier, whose online gambling company is sponsoring them, is taped to a chair, with only his right hand left free, and stabbed to death. The limited resources and competence of the local police make the case a natural for Hawthorne, who obligingly circulates among his counterparts long enough to rattle every one of the many skeletons in their closets. But he faces a serious setback when a second murder spurs Deputy Chief Officer Jonathan Torode of Guernsey Crime Services to identify a culprit Hawthorne agrees is highly plausible. How will the great detective cope with being beaten to the punch? Fans of the author’s formidable brain teasers, certain that the devil is in the details, will be a lot more confident than he is.
The most conventional of Horowitz’s mysteries to date still reads like a golden-age whodunit on steroids.Pub Date: Oct. 19, 2021
ISBN: 978-0-06-293-816-9
Page Count: 384
Publisher: Harper/HarperCollins
Review Posted Online: June 28, 2021
Kirkus Reviews Issue: July 15, 2021
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
More like a con than a truly satisfying psychological mystery.
What should be a rare horror—a woman gone missing—becomes a pattern in Kubica's latest thriller.
One night, a young mother goes for a run. She never comes home. A few weeks later, the body of Meredith, another missing woman, is found with a self-inflicted knife wound; the only clue about the fate of her still-missing 6-year-old daughter, Delilah, is a note that reads, "You’ll never find her. Don’t even try." Eleven years later, a girl escapes from a basement where she’s been held captive and severely abused; she reports that she is Delilah. Kubica alternates between chapters in the present narrated by Delilah’s younger brother, Leo, now 15 and resentful of the hold Delilah’s disappearance and Meredith’s death have had on his father, and chapters from 11 years earlier, narrated by Meredith and her neighbor Kate. Meredith begins receiving texts that threaten to expose her and tear her life apart; she struggles to keep them, and her anxiety, from her family as she goes through the motions of teaching yoga and working as a doula. One client in particular worries her; Meredith fears her husband might be abusing her, and she's also unhappy with the way the woman’s obstetrician treats her. So this novel is both a mystery about what led to Meredith’s death and Delilah’s imprisonment and the story of what Delilah's return might mean to her family and all their well-meaning neighbors. Someone is not who they seem; someone has been keeping secrets for 11 long years. The chapters complement one another like a patchwork quilt, slowly revealing the rotten heart of a murderer amid a number of misdirections. The main problem: As it becomes clear whodunit, there’s no true groundwork laid for us to believe that this person would behave at all the way they do.
More like a con than a truly satisfying psychological mystery.Pub Date: May 18, 2021
ISBN: 978-0-778-38944-6
Page Count: 352
Publisher: Park Row Books
Review Posted Online: Feb. 9, 2021
Kirkus Reviews Issue: March 1, 2021
Proficient but eminently predictable. Amid all the time shifts and embedded backstories, the most surprising feature is how...
A convicted killer’s list of five people he wants dead runs the gamut from the wife he’s already had murdered to franchise heroine Ali Reynolds.
Back in the day, women came from all over to consult Santa Clarita fertility specialist Dr. Edward Gilchrist. Many of them left his care happily pregnant, never dreaming that the father of the babies they carried was none other than the physician himself, who donated his own sperm rather than that of the handsome, athletic, disease-free men pictured in his scrapbook. When Alexandra Munsey’s son, Evan, is laid low by the kidney disease he’s inherited from his biological father and she returns to Gilchrist in search of the donor’s medical records, the roof begins to fall in on him. By the time it’s done falling, he’s serving a life sentence in Folsom Prison for commissioning the death of his wife, Dawn, the former nurse and sometime egg donor who’d turned on him. With nothing left to lose, Gilchrist tattoos himself with the initials of five people he blames for his fall: Dawn; Leo Manuel Aurelio, the hit man he’d hired to dispose of her; Kaitlyn Todd, the nurse/receptionist who took Dawn’s place; Alex Munsey, whose search for records upset his apple cart; and Ali Reynolds, the TV reporter who’d helped put Alex in touch with the dozen other women who formed the Progeny Project because their children looked just like hers. No matter that Ali’s been out of both California and the news business for years; Gilchrist and his enablers know that revenge can’t possibly be served too cold. Wonder how far down that list they’ll get before Ali, aided once more by Frigg, the methodical but loose-cannon AI first introduced in Duel to the Death (2018), turns on them?
Proficient but eminently predictable. Amid all the time shifts and embedded backstories, the most surprising feature is how little the boundary-challenged AI, who gets into the case more or less inadvertently, differs from your standard human sidekick with issues.Pub Date: April 2, 2019
ISBN: 978-1-5011-5101-9
Page Count: 352
Publisher: Gallery Books/Simon & Schuster
Review Posted Online: Feb. 18, 2019
Kirkus Reviews Issue: March 1, 2019
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