More like a con than a truly satisfying psychological mystery.
What should be a rare horror—a woman gone missing—becomes a pattern in Kubica's latest thriller.
One night, a young mother goes for a run. She never comes home. A few weeks later, the body of Meredith, another missing woman, is found with a self-inflicted knife wound; the only clue about the fate of her still-missing 6-year-old daughter, Delilah, is a note that reads, "You’ll never find her. Don’t even try." Eleven years later, a girl escapes from a basement where she’s been held captive and severely abused; she reports that she is Delilah. Kubica alternates between chapters in the present narrated by Delilah’s younger brother, Leo, now 15 and resentful of the hold Delilah’s disappearance and Meredith’s death have had on his father, and chapters from 11 years earlier, narrated by Meredith and her neighbor Kate. Meredith begins receiving texts that threaten to expose her and tear her life apart; she struggles to keep them, and her anxiety, from her family as she goes through the motions of teaching yoga and working as a doula. One client in particular worries her; Meredith fears her husband might be abusing her, and she's also unhappy with the way the woman’s obstetrician treats her. So this novel is both a mystery about what led to Meredith’s death and Delilah’s imprisonment and the story of what Delilah's return might mean to her family and all their well-meaning neighbors. Someone is not who they seem; someone has been keeping secrets for 11 long years. The chapters complement one another like a patchwork quilt, slowly revealing the rotten heart of a murderer amid a number of misdirections. The main problem: As it becomes clear whodunit, there’s no true groundwork laid for us to believe that this person would behave at all the way they do.
More like a con than a truly satisfying psychological mystery.Pub Date: May 18, 2021
ISBN: 978-0-778-38944-6
Page Count: 352
Publisher: Park Row Books
Review Posted Online: Feb. 9, 2021
Kirkus Reviews Issue: March 1, 2021
Trust no one in this over-the-top tale of deception and revenge.
Dead bodies turn up in the first sentence of the prologue in McFadden’s latest domestic thriller.
The mystery of who died is at the pulsating heart of this propulsive tale. As Chapter 1 begins, Naomi arrives home to find the locks changed on the front door of the gorgeous home she shares with her husband, Jeremy, and their 5-year-old son, Teddy. Jeremy steps out the front door and convinces Naomi to move out while he has their home renovated, a plan Naomi knows nothing about. It’s all a ruse, though, as the next day Jeremy tells her he wants a divorce. Naomi is shellshocked and soon discovers that Jeremy is having an affair with Veronica, a beautiful younger woman. What seems at first like a stereotypical story about a man who leaves his wife turns into something else when Naomi decides she’ll do anything to get Veronica away from Jeremy and Teddy, and Veronica decides to fight for what she thinks she deserves. Fans of stalker novels will cringe with delight as creepy things start to happen. Teddy’s stuffed elephant, a gift from Veronica, is found impaled on a kitchen knife; Naomi suspects Jeremy is gaslighting her and that Veronica tried to poison her. A weird confrontation among Jeremy, Veronica, and Naomi at Teddy’s birthday party, to which Naomi shows up uninvited, is priceless. There are three main characters, and any or all of them may be unreliable narrators. Packing the plot with dark, gasp-inducing twists, McFadden outdoes herself in a story about how highly emotional people engage in risky behavior to get what they want—but in this novel, for better or worse, not everyone will survive.
Trust no one in this over-the-top tale of deception and revenge.Pub Date: May 26, 2026
ISBN: 9781464249631
Page Count: 368
Publisher: Poisoned Pen
Review Posted Online: April 20, 2026
Kirkus Reviews Issue: May 15, 2026
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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