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THE POPE

FRANCIS, BENEDICT, AND THE DECISION THAT SHOOK THE WORLD

Only slightly better than a tabloid look at papal controversies.

A tale of two popes.

Novelist, screenwriter, and playwright McCarten (Darkest Hour: How Churchill Brought England Back from the Brink, 2017, etc.) provides a sensationalized examination of the Catholic Church’s two most recent leaders. The groundbreaking decision by Pope Benedict XVI to resign the papacy in 2013 led to widespread speculation and gossip about his motives, and the author digs into many of those theories. Describing Benedict at one point as “a frail and confused old man drowning in shallow waters while those closest to him watched,” McCarten is largely dismissive of Benedict as anything aside from an academic. Though he occasionally takes pity on the former pontiff—e.g., noting that his desires to go into seclusion went unheeded by his predecessor, John Paul II—the author mainly describes him as lacking any interpersonal skills and being utterly disconnected from the real world or the church he was called to lead. Benedict was a strong defender of orthodoxy, so his resignation came as a surprise; indeed, “the most conventional man in the Catholic Church [did] the most unconventional thing in its modern history.” McCarten sees in that decision a mixture of guilt over failures to stem the church’s sex abuse scandal and overwhelming inability to lead in the light of his own shortcomings and the Vatican’s continued scandals. Though the author is obviously more aligned with Pope Francis’ progressiveness, he does not spare the newest pope from scrutiny. He provides a disconcerting report of Francis’ career in Argentina, strongly suggesting that he was complicit, even if only through silence, with the brutality his nation faced in the late 20th century. Ultimately, though intermittently intriguing, this book is just another average addition to the well-saturated genre of Vatican intrigue works. Since the author fails to provide much new information or analysis, serious readers will want to look elsewhere.

Only slightly better than a tabloid look at papal controversies.

Pub Date: Jan. 29, 2019

ISBN: 978-1-250-20790-6

Page Count: 256

Publisher: Flatiron Books

Review Posted Online: Dec. 8, 2018

Kirkus Reviews Issue: Jan. 1, 2019

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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