An uncomplicated work that struggles to capture the ambiance of its setting.
Wildman’s historical novel charts the life of famed Italian Renaissance statesman Niccolò Machiavelli.
The story opens in 1494 with Machiavelli studying at a place called “the Studio” in Florence. It’s a time of great political unrest, and the young scholar witnesses the expulsion of the Medici family, who’d ruled Florence for over half a century. Machiavelli is already shrewdly in tune with Florence’s political murmurings (“I listen to everyone”), but he doesn’t possess the financial influence to be anything but a bystander. This changes when Florentine ambassador Ricciardo Becci suggests that he nominate himself for public office. The novel charts Machiavelli’s rise to power, beginning with his ascension as a secretary of the Republic. Wildman creatively imagines key moments in Machiavelli’s life in detail, such as his founding of a Florentine militia and his role in the city’s victory over Pisa in 1509. The novel also touches upon his later life in exile as he begins to write a political treatise that would become The Prince, but it’s not the tale’s prime focus. Wildman’s writing is strikingly accessible, considering his intimidating subject, and he takes care to gently impart information about the ever-shifting political backdrop: “the old Florentine families had always resented the Medici dominance of the government, even as they acquiesced in it, fawning on Lorenzo while they muttered insults behind his back.” Wildman also includes a glossary of Italian terms that will help English-speaking readers to better understand 16th-century life in Italy. The novel falls short, however, in that it doesn’t effectively transport the reader to the Florence of Machiavelli’s era, shying away from describing architecture and street life; indeed, the author’s vision of the city has an oddly contemporary feel, as does the dialogue: “I heard that there is a new tavern behind Santa Croce that serves ravioli in broth so good that they are queuing down the street for it.” For readers who are new to Machiavelli, this book will serve as an approachable and pleasant introduction, but those searching for immersive historical fiction will be disappointed.
An uncomplicated work that struggles to capture the ambiance of its setting.Pub Date: Sept. 28, 2020
ISBN: 978-0-648-94541-3
Page Count: 406
Publisher: Plutus Publishing Australia
Review Posted Online: Nov. 22, 2020
Review Program: Kirkus Indie
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
A tender and moving portrait about the transcendent power of art and friendship.
An artwork’s value grows if you understand the stories of the people who inspired it.
Never in her wildest dreams would foster kid Louisa dream of meeting C. Jat, the famous painter of The One of the Sea, which depicts a group of young teens on a pier on a hot summer’s day. But in Backman’s latest, that’s just what happens—an unexpected (but not unbelievable) set of circumstances causes their paths to collide right before the dying 39-year-old artist’s departure from the world. One of his final acts is to bequeath that painting to Louisa, who has endured a string of violent foster homes since her mother abandoned her as a child. Selling the painting will change her life—but can she do it? Before deciding, she accompanies Ted, one of the artist’s close friends and one of the young teens captured in that celebrated painting, on a train journey to take the artist’s ashes to his hometown. She wants to know all about the painting, which launched Jat’s career at age 14, and the circle of beloved friends who inspired it. The bestselling author of A Man Called Ove (2014) and other novels, Backman gives us a heartwarming story about how these friends, set adrift by the violence and unhappiness of their homes, found each other and created a new definition of family. “You think you’re alone,” one character explains, “but there are others like you, people who stand in front of white walls and blank paper and only see magical things. One day one of them will recognize you and call out: ‘You’re one of us!’” As Ted tells stories about his friends—how Jat doubted his talents but found a champion in fiery Joar, who took on every bully to defend him; how Ali brought an excitement to their circle that was “like a blinding light, like a heart attack”—Louisa recognizes herself as a kindred soul and feels a calling to realize her own artistic gifts. What she decides to do with the painting is part of a caper worthy of the stories that Ted tells her. The novel is humorous, poignant, and always life-affirming, even when describing the bleakness of the teens’ early lives. “Art is a fragile magic, just like love,” as someone tells Louisa, “and that’s humanity’s only defense against death.”
A tender and moving portrait about the transcendent power of art and friendship.Pub Date: May 6, 2025
ISBN: 9781982112820
Page Count: 448
Publisher: Atria
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
SEEN & HEARD
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