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“THEY HAVE KILLED PAPA DEAD!”

THE ROAD TO FORD’S THEATRE, ABRAHAM LINCOLN’S MURDER, AND THE RAGE FOR VENGEANCE

A study of burning focus and intimate depth.

Journalist and historian Pitch (The Burning of Washington: The British Invasion of 1814, 1998, etc.) recounts the events surrounding Lincoln’s assassination.

The author follows the tragedy from the first attempts on his life at the time of the president-elect’s perilous entry into Washington, D.C., in February 1861, through the release, in 1867, of the assassin’s most ardent supporter, John Surratt, and the scramble by informers to claim the government reward money. To the well-worn record, Pitch contributes several riveting new discoveries he gleaned from scouring private letters and newspaper reports: a mention by the commissioner of public buildings, Benjamin Brown French, asserting that he forcibly restrained John Wilkes Booth in the Capitol rotunda during the second inaugural assemblies; a March 19, 1864, story in the New York Tribune discussing a plot to kidnap the president; and a letter by convicted conspirator Samuel Arnold in which he applied for a job with Secretary of War Edwin Stanton three months after signing on to Booth’s scheme. Booth’s initial plan was to kidnap the president and take him south, but on that fateful night of April 14, 1865, when the president and first lady were watching Our American Cousin at Ford’s Theatre, Booth decided to kill them both. Chillingly, Lincoln had revealed to his wife and others premonitions of his fate, while Booth had recorded a prophecy by a Gypsy fortuneteller, who told him, “I’ve never seen a worse hand, and I wish I hadn’t seen it.” Pitch describes the grim preparations of the conspirators for trial, and the weeks of confinement and deprivation afforded them before conviction and hanging. Pitch is a patient storyteller, and the well-developed characters, brought to life through diaries, letters and other primary sources, heighten the drama and poignancy.

A study of burning focus and intimate depth.

Pub Date: Jan. 2, 2009

ISBN: 978-1-58642-158-8

Page Count: 560

Publisher: Steerforth

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 2008

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KILLERS OF THE FLOWER MOON

THE OSAGE MURDERS AND THE BIRTH OF THE FBI

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Awards & Accolades

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  • Readers Vote
  • 682


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  • Kirkus Reviews'
    Best Books Of 2017


  • New York Times Bestseller


  • IndieBound Bestseller


  • National Book Award Finalist

Greed, depravity, and serial murder in 1920s Oklahoma.

During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Pub Date: April 18, 2017

ISBN: 978-0-385-53424-6

Page Count: 352

Publisher: Doubleday

Review Posted Online: Feb. 1, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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