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AFTERPARTIES

Even when these stories are funny and hopeful, an inescapable history is always waiting.

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Posthumous debut from an author whose short fictions appeared in the New Yorker and n+1.

In “Maly, Maly, Maly,” Ves and his cousin Maly escape to get high and watch porn while their family prepares for a party where monks will declare that another cousin’s baby is the reincarnation of Maly’s mother, Somaly. In “Somaly Serey, Serey Somaly,” that baby, Serey, has grown into a nurse who is caring for the great-aunt who raised Maly after her mother died. Ma Eng is suffering from dementia, but her insistence that Serey is her dead niece Somaly fits a pattern in Serey’s life. Presented with the chance to pass her haunted legacy onto Maly’s daughter, Serey thinks twice about what she’s doing but can’t resist the possibility of being free of her family’s history. Generational trauma is an undercurrent throughout this book. The protagonists of these stories grew up in California, but they are constantly aware that their parents and grandparents and aunties and uncles witnessed genocide before escaping Cambodia. This awareness manifests in different ways across the collection. Set in the aftermath of a lavish wedding, “We Would’ve Been Princes!” follows brothers Marlon and Bond as they try to find out if a wealthy relative stiffed the bride and groom of a cash gift at the reception. The answer to this question is important because Marlon and Bond want to please their mother by delivering this bit of gossip, but it also reveals differing attitudes about what refugees owe each other—and it involves some trickery by a Cambodian singer flown in for the nuptials. In “Human Development,” Anthony, whose newish career is teaching private school kids about diversity, is at a party surrounded by insufferable tech bros when he connects with another Cambodian guy on Grindr. Anthony’s reaction to the relationship that develops is shaped, at least in part, by how much he wants his own past and the collective past he has inherited to define him.

Even when these stories are funny and hopeful, an inescapable history is always waiting.

Pub Date: Aug. 3, 2021

ISBN: 978-0-06-304990-1

Page Count: 272

Publisher: Ecco/HarperCollins

Review Posted Online: June 15, 2021

Kirkus Reviews Issue: July 1, 2021

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THE CORRESPONDENT

An affecting portrait of a prickly woman.

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A lifetime’s worth of letters combine to portray a singular character.

Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.

An affecting portrait of a prickly woman.

Pub Date: May 6, 2025

ISBN: 9780593798430

Page Count: 304

Publisher: Crown

Review Posted Online: Feb. 15, 2025

Kirkus Reviews Issue: March 15, 2025

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MONA'S EYES

A pleasant if not entirely convincing tribute to the power of art.

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A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.

One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.

A pleasant if not entirely convincing tribute to the power of art.

Pub Date: Aug. 26, 2025

ISBN: 9798889661115

Page Count: 432

Publisher: Europa Editions

Review Posted Online: June 7, 2025

Kirkus Reviews Issue: July 15, 2025

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