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DAYS AND NIGHTS ON THE GRAND TRUNK ROAD

Name: DAYS AND NIGHTS ON THE GRAND TRUNK ROAD
Author: Anthony Weller
ISBN: 1-56924-751-X

CALCUTTA TO KHYBER

by Anthony Weller ‧ RELEASE DATE: Oct. 1, 1997

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While the title is somewhat of a misnomer—since much of this ancient road cutting across India and Pakistan is too infested by bandits to travel after dark—make no mistake about the courage and intelligence behind this wryly observant travelogue. ``From what I'd witnessed, the future for most Indians looked like hell,'' writes novelist and travel writer Weller (The Garden of the Peacocks, 1996), and while this bleak prediction resonates throughout his account, one is equally impressed that India's explosive mixture of cultures and religions has not blown the lid off the world's largest democracy. Along this road, cut by conquerors from before Alexander, lie the birthplace of Buddhism, Jainism, and Hinduism, ornate but crumbling tombs—including the Taj Mahal (``that Moby Dick of architecture'')—as well as the sites of great pilgrimages and human slaughter. Traveling this frequently crumbling artery, his hired drivers dodging careening trucks, Weller alights in the sacred Hindu city of Benares astride the Ganges, whose ``stench is encyclopedic and hypnotic'' and into whose waters are commited some 40,000 cremated bodies yearly. Up the road, Kanpur is the site of the 1857 massacre of 1,000 British men, women, and children that led Queen Victoria to formally annex India. Weller traces the paths of Kipling, perhaps the only writer of the time to look beneficently on the Indians during the Raj. Tireless, aside from a bronchial disorder caused by the poisonous air of New Delhi, Weller proceeds to the Punjab, home to the Sikhs, and passes into Pakistan, which, while lacking the liberties and the cultural freedom of its neighbor, is generally cleaner, with far fewer beggars and homeless people. The last stage, up the forbidding Khyber Pass, in which dwell smugglers of all description, and through which he was required to hire an armed bodyguard, is perhaps the most exotic locale yet in an account brimming with beauty and strangeness.

Pub Date: Oct. 1, 1997

ISBN: 1-56924-751-X

Page Count: 352

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1997

Categories:

GENERAL NONFICTION

- BOOK REVIEW
WELLER’S WAR
by George Weller and edited by Anthony Weller

- BOOK REVIEW
FIRST INTO NAGASAKI
by George Weller & edited by Anthony Weller

- BOOK REVIEW
THE POLISH LOVER
by Anthony Weller

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NUTCRACKER

by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996

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This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

Categories:

GENERAL NONFICTION

- BOOK REVIEW
THE NUTCRACKER AND THE MOUSE KING
by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson

- BOOK REVIEW
THE NUTCRACKER
by E.T.A. Hoffmann & illustrated by Julie Paschkis

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955

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An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.