Solid storytelling brought to bear on engaging material: a real-life pleasure for fans of John le Carré and Tom Clancy.
Fascinating memoir from a husband-and-wife team of spooky gamesmanship in the Cold War’s deadly back alleys.
Writing with the Agency’s blessing, retired CIA spymaster Antonio Mendez (The Master of Disguise, 1999) and agent Jonna Mendez offer a surprisingly open account of the intelligence community’s long, often deadly engagement with its counterparts in Russia, China, and Cuba. As their narrative opens, things have gone badly awry with American spying activities inside the Soviet Union; deep-cover double agents are being executed right and left, hapless Marine guards are letting secrets out of the embassy, and somehow the KGB is always a step ahead of the CIA, thanks in part to near-invisible “spy dust” that enables the Reds to track the movements of our men and women in blue. After the Mendezes learn that they’re being betrayed by Aldrich Ames and other turncoats within the agency, they put that knowledge to work concocting elaborate countermeasures and devious switcheroos. Avoiding the noir clichés of the spy genre, the Mendezes offer an eye-opening look at the complex business of gathering intelligence and spreading a few lies to disrupt the opposition, recounting rules that are “dead simple, and full of common sense: Never make surveillance mad or embarrassed—they will shut you down. Never look over your shoulder or steal free looks in store windows when on the street. Make them think it was their fault that they had lost you, not vice versa, because KGB officers know better than to report their own mistakes.” In the end, they argue, the CIA’s work was more often successful than not, citing no less an authority than former KGB general Oleg Kalugin, who reckoned, “In the final analysis, the score would be five to one in favor of the United States on counterintelligence issues.”
Solid storytelling brought to bear on engaging material: a real-life pleasure for fans of John le Carré and Tom Clancy.Pub Date: Sept. 17, 2002
ISBN: 0-7434-2852-8
Page Count: 298
Publisher: Atria
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 2002
BOOK REVIEW
BOOK REVIEW
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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