Laugh-out-loud fun.

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HIC!

 A little South Asian girl in a dress and pigtails desperately tries to rid herself of the hiccups.

She drinks a pail of water while standing on a brick, spins around until she’s sick, and recites a limerick while standing on her head, but the hiccups just keep on coming. Her attempts to banish them grow more and more bizarre and are met with great expectations, but the results are always disastrous and hilarious and have no effect on her problem. Each suggested remedy and its aftermath play out over two double-page spreads. On the first, the suggestion (all rhyme with “ick”) is printed in large type and placed on a stark white background as the girl follows the directions. The results are then depicted in all their delicious chaos with the only text a despairing “HIC” uttered by that unhappy heroine. In the end she throws away her guidebook of ideas and challenges readers to help. The silly events unfold in India, as indicated by clothing, fauna, and a cheerily busy streetscape. The bold cartoon illustrations, screen-printed in organic inks, employ only black, white, blue, and gold, and the black-haired little girl’s skin tones are in those colors as well, changing for each anti-hiccup attempt. Hiccup tales are numerous and popular with young readers, but this one has a unique, delightful twist.

Laugh-out-loud fun. (Picture book. 4-8)

Pub Date: Sept. 15, 2017

ISBN: 978-93-83145-64-5

Page Count: 40

Publisher: Tara Publishing

Review Posted Online: Aug. 21, 2017

Kirkus Reviews Issue: Sept. 1, 2017

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An invitation to wonder, imagine and look at everything (humans included) in a new way.

NOAH CHASES THE WIND

A young boy sees things a little differently than others.

Noah can see patterns in the dust when it sparkles in the sunlight. And if he puts his nose to the ground, he can smell the “green tang of the ants in the grass.” His most favorite thing of all, however, is to read. Noah has endless curiosity about how and why things work. Books open the door to those answers. But there is one question the books do not explain. When the wind comes whistling by, where does it go? Noah decides to find out. In a chase that has a slight element of danger—wind, after all, is unpredictable—Noah runs down streets, across bridges, near a highway, until the wind lifts him off his feet. Cowman’s gusty wisps show each stream of air turning a different jewel tone, swirling all around. The ribbons gently bring Noah home, setting him down under the same thinking tree where he began. Did it really happen? Worthington’s sensitive exploration leaves readers with their own set of questions and perhaps gratitude for all types of perspective. An author’s note mentions children on the autism spectrum but widens to include all who feel a little different.

An invitation to wonder, imagine and look at everything (humans included) in a new way. (Picture book. 4-8)

Pub Date: April 14, 2015

ISBN: 978-1-60554-356-7

Page Count: 32

Publisher: Redleaf Lane

Review Posted Online: Feb. 3, 2015

Kirkus Reviews Issue: Feb. 15, 2015

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A validating and breathtaking next chapter of a Mother Goose favorite.

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AFTER THE FALL (HOW HUMPTY DUMPTY GOT BACK UP AGAIN)

Humpty Dumpty, classically portrayed as an egg, recounts what happened after he fell off the wall in Santat’s latest.

An avid ornithophile, Humpty had loved being atop a high wall to be close to the birds, but after his fall and reassembly by the king’s men, high places—even his lofted bed—become intolerable. As he puts it, “There were some parts that couldn’t be healed with bandages and glue.” Although fear bars Humpty from many of his passions, it is the birds he misses the most, and he painstakingly builds (after several papercut-punctuated attempts) a beautiful paper plane to fly among them. But when the plane lands on the very wall Humpty has so doggedly been avoiding, he faces the choice of continuing to follow his fear or to break free of it, which he does, going from cracked egg to powerful flight in a sequence of stunning spreads. Santat applies his considerable talent for intertwining visual and textual, whimsy and gravity to his consideration of trauma and the oft-overlooked importance of self-determined recovery. While this newest addition to Santat’s successes will inevitably (and deservedly) be lauded, younger readers may not notice the de-emphasis of an equally important part of recovery: that it is not compulsory—it is OK not to be OK.

A validating and breathtaking next chapter of a Mother Goose favorite. (Picture book. 4-8)

Pub Date: Oct. 3, 2017

ISBN: 978-1-62672-682-6

Page Count: 45

Publisher: Roaring Brook

Review Posted Online: July 17, 2017

Kirkus Reviews Issue: Aug. 1, 2017

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