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THE COAT

An intelligently conceived meditation on the curative powers of storytelling.

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A young man’s inheritance from his grandfather—a Holocaust survivor—ignites a desire to learn more about his own Jewish identity in this debut novel.

Seth Feinberg grows up in a thoroughly Jewish home, but it's one defined by ceremony and custom more than an obviously deep wellspring of faith. Seth’s paternal grandfather and grandmother are both Polish survivors of the Holocaust. (The teenager calls them Saba and Savta, “their Hebrew honorifics.”) But they rarely speak of their World War II experiences, which remain “shadows in the twilight, barely perceptible in the fading light of memory.” When Seth turns 18 years old, Saba promises him a gift, a leather coat worn by a Nazi officer. But when Saba dies, Seth is deprived of the full story behind that coat—a “single tangible piece of my family’s history”—so he’s compelled to investigate his grandparents’ backgrounds and the tragedy that tormented them. In the process, he begins to write short stories, fictional vignettes that imaginatively explore the different roles the coat could have played, some sad and others redemptive. Grunspan delicately charts Seth’s search for some fuller sense of his family’s identity, and, by extension, his own, and his struggle to understand what his grandparents endured and how they carried on. He’s poignantly baffled by the optimism that seemed necessary but impossible for their survival: “When did optimism peek through the clouds of despair? When people found surviving family or friends? With the promise of three meals a day, even if those meals were small and unfamiliar?” The author chronicles Seth’s investigation with exceeding sensitivity and thoughtfully raises questions about the healing abilities of fiction. In addition, the embedded short tales are a surprising delight and make up for the plot’s occasional tendency to lag.

An intelligently conceived meditation on the curative powers of storytelling. (glossary)

Pub Date: April 23, 2020

ISBN: 978-1-68433-438-4

Page Count: 198

Publisher: Black Rose Writing

Review Posted Online: March 16, 2020

Kirkus Reviews Issue: April 15, 2020

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  • New York Times Bestseller

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THE WOMEN

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

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A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.

When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Pub Date: Feb. 6, 2024

ISBN: 9781250178633

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

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JAMES

One of the noblest characters in American literature gets a novel worthy of him.

Mark Twain's Adventures of Huckleberry Finn as told from the perspective of a more resourceful and contemplative Jim than the one you remember.

This isn’t the first novel to reimagine Twain’s 1885 masterpiece, but the audacious and prolific Everett dives into the very heart of Twain’s epochal odyssey, shifting the central viewpoint from that of the unschooled, often credulous, but basically good-hearted Huck to the more enigmatic and heroic Jim, the Black slave with whom the boy escapes via raft on the Mississippi River. As in the original, the threat of Jim’s being sold “down the river” and separated from his wife and daughter compels him to run away while figuring out what to do next. He's soon joined by Huck, who has faked his own death to get away from an abusive father, ramping up Jim’s panic. “Huck was supposedly murdered and I’d just run away,” Jim thinks. “Who did I think they would suspect of the heinous crime?” That Jim can, as he puts it, “[do] the math” on his predicament suggests how different Everett’s version is from Twain’s. First and foremost, there's the matter of the Black dialect Twain used to depict the speech of Jim and other Black characters—which, for many contemporary readers, hinders their enjoyment of his novel. In Everett’s telling, the dialect is a put-on, a manner of concealment, and a tactic for survival. “White folks expect us to sound a certain way and it can only help if we don’t disappoint them,” Jim explains. He also discloses that, in violation of custom and law, he learned to read the books in Judge Thatcher’s library, including Voltaire and John Locke, both of whom, in dreams and delirium, Jim finds himself debating about human rights and his own humanity. With and without Huck, Jim undergoes dangerous tribulations and hairbreadth escapes in an antebellum wilderness that’s much grimmer and bloodier than Twain’s. There’s also a revelation toward the end that, however stunning to devoted readers of the original, makes perfect sense.

One of the noblest characters in American literature gets a novel worthy of him.

Pub Date: March 19, 2024

ISBN: 9780385550369

Page Count: 320

Publisher: Doubleday

Review Posted Online: Dec. 16, 2023

Kirkus Reviews Issue: Jan. 15, 2024

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