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KNEE-DEEP IN WONDER

Strong writing throughout, however, from a very promising writer with a world-class imagination.

An earnest debut novel painstakingly records an uprooted black woman’s recovery of her scattered family’s even more scattered history.

In 1976, Helene Strickland travels from Washington, DC (where she works in a nursing home), to Arkansas’s impoverished Lafayette County when summoned by her estranged mother Queen Ester—who had abandoned baby Helene to be raised by the child’s warmhearted Aunt Annie b (sic). After learning that Annie b has died, Helene confronts her mother, who does allow her daughter into her house, and, to a limited extent, her memories. Reynolds then juxtaposes Helene’s inquiries about the anger and contention that have consumed her family’s generations with detailed flashbacks (presented, oddly, as omniscient narrative rather than from the viewpoint of a specific character, remembering). We gradually learn of the rise to property ownership and security of Helene’s itinerant maternal grandmother Liberty, herself a child abandoned, by both her parents. Then Liberty’s story is connected to that of Chester “Chess” Hubbert, the son of Mississippi tenant farmers victimized by the flooding of hastily constructed levees: a rootless, sexually confused charmer whose vertiginous careening from one woman to another eventually involved him with both Liberty (who took the wanderer in) and teenaged Queen Ester, in a combustible “batch of love and hate cooked up all together” that could only produce envy, hatred, and catastrophe. Reynolds creates striking, brooding, indisputably real characters and writes about them with assurance and lyric grace. But Knee Deep in Wonder (a strange title, incidentally) is structurally suspect, especially when its illogical deployment of viewpoints is stretched further, late in the novel, to accommodate those of both Chess and a man known as “other,” who seems to hold the final piece to the puzzle that Helene is laboriously assembling.

Strong writing throughout, however, from a very promising writer with a world-class imagination.

Pub Date: Sept. 2, 2003

ISBN: 0-8050-7346-9

Page Count: 320

Publisher: Henry Holt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 1, 2003

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BETWEEN SISTERS

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...

Sisters in and out of love.

Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.

Pub Date: May 1, 2003

ISBN: 0-345-45073-6

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: April 1, 2003

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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