Smith knows how to make the heart race. With better plotting, she’ll be formidable.

GOOD MORNING, KILLER

Ana Grey (North of Montana, 1994), FBI agent, returns to track down a sadistic kidnapper while navigating a stormy relationship with her cop boyfriend; the storylines are interwoven in what is, for the most part, a crackerjack suspenser.

Who snatched 15-year-old Juliana, daughter of a wealthy businessman, from an outdoor mall in Santa Monica, and why is there no ransom demand? Ana, now a Bureau veteran, heads up the investigation. Her boyfriend, Detective Andrew Berringer (they met working a bank robbery), is assigned to the case by the local police department, and Ana outranks him. This will cause problems, adding to the turf wars between Bureau and locals. The first moment of high drama occurs when Juliana returns home, a walking zombie. Tests show the teenager to have been drugged, raped, mutilated and strangled. As the case moves forward and a suspect is identified, Ana’s relationship unravels. Both she and Andrew are from troubled cop families: the grandfather who raised her was a “rage-aholic,” while Andrew’s father killed himself. This is rich soil for future mischief, made more likely by the darkness both brush up against every working day, and Smith describes these fault lines with a quiet passion. Ana had thought her only competition was Andrew’s beloved Harley, and her discovery that he’s is two-timing her; tensions on the job; old wounds reopened from the bank robbery case—all boil over one night at her apartment. Andrew attacks her; she shoots him in self-defense. That she’s later arrested for attempted murder at the precise moment she’s spotted the rape suspect at a stakeout is a tad too coincidental. Much more bothersome is Ana’s self-destructive violation of her bail conditions: credible characterization is sacrificed to Smith’s need to keep her storylines yoked together. The plot twists continue to the end but become ever less believable.

Smith knows how to make the heart race. With better plotting, she’ll be formidable.

Pub Date: May 4, 2003

ISBN: 0-375-41240-9

Page Count: 320

Publisher: Knopf

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: March 1, 2003

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Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

A CONSPIRACY OF BONES

Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.

A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Pub Date: March 17, 2020

ISBN: 978-1-9821-3888-2

Page Count: 352

Publisher: Scribner

Review Posted Online: Dec. 23, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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Proficient but eminently predictable. Amid all the time shifts and embedded backstories, the most surprising feature is how...

THE A LIST

A convicted killer’s list of five people he wants dead runs the gamut from the wife he’s already had murdered to franchise heroine Ali Reynolds.

Back in the day, women came from all over to consult Santa Clarita fertility specialist Dr. Edward Gilchrist. Many of them left his care happily pregnant, never dreaming that the father of the babies they carried was none other than the physician himself, who donated his own sperm rather than that of the handsome, athletic, disease-free men pictured in his scrapbook. When Alexandra Munsey’s son, Evan, is laid low by the kidney disease he’s inherited from his biological father and she returns to Gilchrist in search of the donor’s medical records, the roof begins to fall in on him. By the time it’s done falling, he’s serving a life sentence in Folsom Prison for commissioning the death of his wife, Dawn, the former nurse and sometime egg donor who’d turned on him. With nothing left to lose, Gilchrist tattoos himself with the initials of five people he blames for his fall: Dawn; Leo Manuel Aurelio, the hit man he’d hired to dispose of her; Kaitlyn Todd, the nurse/receptionist who took Dawn’s place; Alex Munsey, whose search for records upset his apple cart; and Ali Reynolds, the TV reporter who’d helped put Alex in touch with the dozen other women who formed the Progeny Project because their children looked just like hers. No matter that Ali’s been out of both California and the news business for years; Gilchrist and his enablers know that revenge can’t possibly be served too cold. Wonder how far down that list they’ll get before Ali, aided once more by Frigg, the methodical but loose-cannon AI first introduced in Duel to the Death (2018), turns on them?

Proficient but eminently predictable. Amid all the time shifts and embedded backstories, the most surprising feature is how little the boundary-challenged AI, who gets into the case more or less inadvertently, differs from your standard human sidekick with issues.

Pub Date: April 2, 2019

ISBN: 978-1-5011-5101-9

Page Count: 352

Publisher: Gallery Books/Simon & Schuster

Review Posted Online: Feb. 19, 2019

Kirkus Reviews Issue: March 1, 2019

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