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AUTOBIOGRAPHY OF US

Captivating, engrossing, surprising—the autobiography of Rebecca and Alex celebrates the terrible struggle to find one’s...

What if the greatest love of your life were your best friend?   

Since childhood, Rebecca Madden’s and Alexandra "Alex" Carrington’s lives have twined and twisted around each other’s, and the stories of their lives weave into a single autobiography. Told from Rebecca’s perspective, the tale fairly seeps with desire for the missing half, just as Rebecca yearns for Alex whenever she leaves. And she does leave. Despite her patrician mother’s reservations, Alex abandons Rebecca the summer before college to attend a theater arts camp. Letters come less and less often, leaving Rebecca to mourn until her suddenly very chic friend arrives to whisk both of them off to college. Alex promptly disappears again, keeping late hours and drifting into a glamorous world of drama, men, drinks and cigarettes. Although Rebecca tries to keep her moral compass as straight as her parents shaped it, she, too, has secrets. Dreaming of a career in medicine, Rebecca sneaks out of the dorm early and comes home late, hiding her studies from everyone who would point out the near impossibility of a woman becoming a doctor then. Yet again and again, Rebecca and Alex come together, drawn to each other like magnets. An early-summer wedding party brings catastrophe, however, when Rebecca finds Alex’s date, the enigmatic, charismatic Bertrand Lowell, impossible to ignore. The evening sets in motion a betrayal deep enough to send Rebecca and Alex careening wildly off their courses. Sloss’ debut novel sweeps across the tumultuous events of the late 1950s through the 1980s, navigating the characters through the fear of race riots, the loss of friends to the conflict in Vietnam and the battle for women’s rights. 

Captivating, engrossing, surprising—the autobiography of Rebecca and Alex celebrates the terrible struggle to find one’s identity as it elegiacally rues the necessary losses.

Pub Date: Feb. 5, 2013

ISBN: 978-0-8050-9455-8

Page Count: 304

Publisher: Henry Holt

Review Posted Online: Oct. 14, 2012

Kirkus Reviews Issue: Nov. 1, 2012

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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CIRCE

Miller makes Homer pertinent to women facing 21st-century monsters.

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A retelling of ancient Greek lore gives exhilarating voice to a witch.

“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.

Miller makes Homer pertinent to women facing 21st-century monsters.

Pub Date: April 10, 2018

ISBN: 978-0-316-55634-7

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Jan. 22, 2018

Kirkus Reviews Issue: Feb. 1, 2018

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