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AN ABBREVIATED LIFE

A candid rendering of pain and survival.

A daughter’s raw memoir exposes her “spiteful, vindictive, uncontrollable mother.”

Journalist Leve (It Could Be Worse, You Could Be Me, 2010, etc.), a former columnist for the London Sunday Times Magazine and contributor to other journals, grew up in a Manhattan penthouse with her mother, a poet whose narcissism, unpredictable mood swings, and physical abuse the author recounts in repetitive detail. At times “slapped, punched, kicked, pinched, and attacked,” subjected to hysterical tirades alternating with suffocating demonstrations of love, Leve felt abandoned, betrayed, and continually threatened, as if she were stranded “in the pit of a crevasse, with a rope to safety just inches away and out of reach.” Some measure of safety came during visits to her adored father, who lived in Thailand and whom Leve portrays as flawless; from her father’s former girlfriend, whose nurturing attention brought a bit of stability to Leve’s life in New York; and from a succession of caretakers, many of whom fled from her mother’s employ. One woman quit or was fired multiple times over the course of 12 years. By her mid-40s, Leve still felt indelibly wounded and oppressed by the past. “You understand these things and you’re in control of your life,” her father remarks. “Why can’t you beat those demons and destroy them?” Overcoming the demons, however, proved complicated: Leve learned that childhood stress and abuse caused "pathological changes to brain chemistry,” making her “hypervigilant” and “highly reactive to perceived threats.” Desperate for help, she decided to undergo eye movement desensitization and reprocessing therapy, designed to treat PTSD. Two years later, she was living with her Italian lover and his daughters in Bali, finally feeling central to a family. Though still beset by memories, she was also buoyed by “endorphins of hope” that she finally would be able to “outrace the past.”

A candid rendering of pain and survival.

Pub Date: June 14, 2016

ISBN: 978-0-06-226945-4

Page Count: 400

Publisher: Harper/HarperCollins

Review Posted Online: March 26, 2016

Kirkus Reviews Issue: April 15, 2016

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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