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MY FATHER’S PARADISE

A SON’S SEARCH FOR HIS JEWISH PAST IN KURDISH IRAQ

A well-researched text falling somewhere between journalism and memoir, sustained by Mesopotamian imagination.

In a filial salute and show of contrition, D.C.-based journalist Sabar recounts his family’s unusual history, reaching back to times before the Bible.

The author’s remarkable father, Yona, was born in remote Zakho, a dusty, isolated village not far from Mosul. The Jews of Kurdish Iraq, believed to be descended from one of the lost tribes of the Babylonian exile, were the last people to speak a form of Aramaic, the language of Jesus and lingua franca of much of the ancient world. In the 1950s, they emigrated en masse to Israel, where Yona and his family, with their strange costumes, customs and language, found themselves at the bottom of the ethnic and economic hierarchy. Unfolding the tale of their assimilation with the novelistic skill of a Levantine storyteller, Sabar traces his father’s journey from poverty to professorship. Yona’s diaspora story began with the end of Iraq Jewry, continued through scholarship in Jerusalem to a teaching post at Yale and reached fulfillment in a distinguished academic career at UCLA and the compilation of an Aramaic dictionary. A generational and cultural gap divided the immigrant father from the cool son who cared little for his heritage. Then, prompted by the birth of his own son, Sabar began to investigate his family’s past. Eventually he and Yona visited a vastly altered Zakho, a town without Jews that now boasts a cybercafé. Describing their pilgrimage and the history that preceded it, the author spins a colorful tale inhabited by wonderful characters in billowing trousers and turbans. The distance between father and son is bridged as Sabar explores the conflicting demands of love and tradition, the burdens and blessings of an ancient culture encountering the 21st century.

A well-researched text falling somewhere between journalism and memoir, sustained by Mesopotamian imagination.

Pub Date: Sept. 16, 2008

ISBN: 978-1-56512-490-5

Page Count: 352

Publisher: Algonquin

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 2008

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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