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VERITAS

Name: VERITAS
Author: Ariel Sabar
ISBN: 978-0-385-54258-6

A HARVARD PROFESSOR, A CON MAN AND THE GOSPEL OF JESUS'S WIFE

by Ariel Sabar ‧ RELEASE DATE: Aug. 11, 2020

A lengthy yet fascinating tale of how one scholar was duped, both by a con man and by herself.

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Intriguing religious/true-crime story involving a possible wife of Jesus. News outlets came alive in 2012 when Harvard Divinity School professor Karen King announced the discovery of a papyrus fragment suggesting that Jesus may have had a wife. The fragment, soon dubbed “The Gospel of Jesus’ Wife,” stirred interest as well as controversy, as scholars across the world warned it may be a fraud. King, who had obtained the fragment from a mysterious and anonymous collector, doggedly defended the ancient piece of papyrus even as the evidence of its authenticity grew weaker. Journalist Sabar—whose book My Father’s Paradise (2009) won the National Book Critics Circle Award for autobiography—happened to be following the story from the beginning, and he shares a sometimes-riveting, occasionally odd tale of academia gone awry. Though the author goes to great pains to portray King in a positive, compassionate light, a central reality emerges: The professor’s excitement over the social impact of the fragment blurred her sense of what was historically accurate. After introducing King biographically as a brilliant and respected scholar, “a dazzling interpreter of condemned scripture,” Sabar moves on to the story of how King came across the fragment and decided it was most likely legitimate. Her debut of the fragment at a conference in Rome led to a storm of media attention. Over time, however, other scholars began to see signs of forgery in the way the document had been created, and the media tide turned against King. The sordid source of the fragment—a former student of ancient languages–turned-pornographer—overshadowed King’s hopes that what it represented for women in the church was worth believing in, above the papyrus’ actual authenticity. “Her ideological commitments,” Sabar concludes, “were choreographing her practice of history. The story came first; the dates managed after.” A lengthy yet fascinating tale of how one scholar was duped, both by a con man and by herself.

Pub Date: Aug. 11, 2020

ISBN: 978-0-385-54258-6

Page Count: 416

Publisher: Doubleday

Review Posted Online: April 9, 2020

Kirkus Reviews Issue: May 15, 2020

Categories:

PHILOSOPHY & RELIGION | TRUE CRIME | HISTORICAL & MILITARY

- BOOK REVIEW
HEART OF THE CITY
by Ariel Sabar

- BOOK REVIEW
MY FATHER’S PARADISE
by Ariel Sabar

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THE MYTH OF SISYPHUS

AND OTHER ESSAYS

by Albert Camus ‧ RELEASE DATE: Sept. 26, 1955

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This a book of earlier, philosophical essays concerned with the essential "absurdity" of life and the concept that- to overcome the strong tendency to suicide in every thoughtful man-one must accept life on its own terms with its values of revolt, liberty and passion. A dreary thesis- derived from and distorting the beliefs of the founders of existentialism, Jaspers, Heldegger and Kierkegaard, etc., the point of view seems peculiarly outmoded. It is based on the experience of war and the resistance, liberally laced with Andre Gide's excessive intellectualism. The younger existentialists such as Sartre and Camus, with their gift for the terse novel or intense drama, seem to have omitted from their philosophy all the deep religiosity which permeates the work of the great existentialist thinkers. This contributes to a basic lack of vitality in themselves, in these essays, and ten years after the war Camus seems unaware that the life force has healed old wounds... Largely for avant garde aesthetes and his special coterie.

Pub Date: Sept. 26, 1955

ISBN: 0679733736

Page Count: 228

Publisher: Knopf

Review Posted Online: Sept. 19, 2011

Kirkus Reviews Issue: Sept. 1, 1955

Categories:

PHILOSOPHY & RELIGION

- BOOK REVIEW
COMMITTED WRITINGS
by Albert Camus ; translated by Justin O'Brien & Sandra Smith

- BOOK REVIEW
PERSONAL WRITINGS
by Albert Camus ; translated by Ellen Conroy Kennedy & Justin O'Brien

- BOOK REVIEW
ALGERIAN CHRONICLES
by Albert Camus translated by Arthur Goldhammer edited by Alice Kaplan

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IN COLD BLOOD

by Truman Capote ‧ RELEASE DATE: Jan. 7, 1965

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"There's got to be something wrong with somebody who'd do a thing like that." This is Perry Edward Smith, talking about himself. "Deal me out, baby...I'm a normal." This is Richard Eugene Hickock, talking about himself. They're as sick a pair as Leopold and Loeb and together they killed a mother, a father, a pretty 17-year-old and her brother, none of whom they'd seen before, in cold blood. A couple of days before they had bought a 100 foot rope to garrote them—enough for ten people if necessary. This small pogrom took place in Holcomb, Kansas, a lonesome town on a flat, limitless landscape: a depot, a store, a cafe, two filling stations, 270 inhabitants. The natives refer to it as "out there." It occurred in 1959 and Capote has spent five years, almost all of the time which has since elapsed, in following up this crime which made no sense, had no motive, left few clues—just a footprint and a remembered conversation. Capote's alternating dossier Shifts from the victims, the Clutter family, to the boy who had loved Nancy Clutter, and her best friend, to the neighbors, and to the recently paroled perpetrators: Perry, with a stunted child's legs and a changeling's face, and Dick, who had one squinting eye but a "smile that works." They had been cellmates at the Kansas State Penitentiary where another prisoner had told them about the Clutters—he'd hired out once on Mr. Clutter's farm and thought that Mr. Clutter was perhaps rich. And this is the lead which finally broke the case after Perry and Dick had drifted down to Mexico, back to the midwest, been seen in Kansas City, and were finally picked up in Las Vegas. The last, even more terrible chapters, deal with their confessions, the law man who wanted to see them hanged, back to back, the trial begun in 1960, the post-ponements of the execution, and finally the walk to "The Corner" and Perry's soft-spoken words—"It would be meaningless to apologize for what I did. Even inappropriate. But I do. I apologize." It's a magnificent job—this American tragedy—with the incomparable Capote touches throughout. There may never have been a perfect crime, but if there ever has been a perfect reconstruction of one, surely this must be it.