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A FARM DIES ONCE A YEAR

A MEMOIR

Most interesting to aspiring organic farmers.

A down-to-earth account of life on New Morning Farm, to which Crawford, the rather aimless son of the owners, returned for one season, searching for some direction in his own unsatisfactory life.

When he was 31, Crawford, who grew up on the family’s 75-acre organic vegetable farm in Pennsylvania, gave up his administrative job at the Fogg Museum at Harvard, arriving at New Morning in late May. After a shaky beginning, the author joined the other farm workers in their physically demanding daily chores. “The place had always made me a little anxious,” he writes. “It was so isolated and lonely, and the work there was so intense.” Woven into this almost-coming-of-age narrative are Crawford’s memories of growing up on the farm and what he has learned about his parents’ early days there. For part of the season, his amiable girlfriend, who seemed somewhat more challenged by farm life than he, joined him, sharing a rude shelter he single-handedly built for them some distance from the main farmhouse. In his spare time, Crawford looked into the murder of a neighboring farmer that occurred nearly 20 years before. Crawford’s account of the work on the farm is matter-of-fact and clear, and his portraits of his hardworking, middle-aged parents are sharp. When he looks inward, however, the picture is more opaque. In the fall, his girlfriend left the farm for San Francisco, and shortly after Christmas, he joined her there, working in a natural foods store, still not sure where his life was going or even where he wanted it to go. “I still hadn’t solved the problem of what I wanted to do with my life,” writes the author. “I was coming to the realization that it would probably be with me forever, and that it was a problem that I likely shared with every other person on earth.”

Most interesting to aspiring organic farmers.

Pub Date: April 1, 2014

ISBN: 978-0-8050-9816-7

Page Count: 272

Publisher: Henry Holt

Review Posted Online: Feb. 1, 2014

Kirkus Reviews Issue: Feb. 15, 2014

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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