Sweet, undemanding entertainment most suitable for longtime fans.
More “Tales of the City” (Mary Ann in Autumn, 2010, etc.), with the former residents of 28 Barbary Ln. still fluttering around their erstwhile landlady.
Anna Madrigal is now 93 and very frail, but she’s still got the gender-crossing panache that led her away from the whorehouse her mother ran in Winnemucca, Nev., and from the unwanted appendages associated with her youth as a boy named Andy. Having had one of the earliest sex-change operations in the U.S., Anna is a legend in the transgender community, and her young caretaker, Jake, has built a special float for her to ride at this year’s Burning Man festival to receive what everyone knows will probably be her final accolades. He is ultimately persuaded by others in their San Francisco circle that it’s too risky, and indeed, the closing chapters’ vivid depiction of the “mosh pit in the desert,” as Michael Tolliver calls Burning Man, makes it seem an unlikely place for an elderly lady. But while Michael, husband Ben, bisexual celebrity Shawna (who’s looking for a sperm donor) and many others are cavorting in the Nevada desert, Anna has unfinished business in not-too-far-away Winnemucca, to which she has persuaded Shawna’s father (and Michael’s close friend), Brian, and his new wife, Wren, to drive her in their air-conditioned RV. So it’s no surprise when Anna finally ends up at Burning Man after the not-terribly-dramatic resolution to a conflict laid out in flashbacks to the year she left home at 16. Readers not up to speed on the series may have trouble sorting out all the relationships (and genders), but Maupin spins his usual good-hearted web of intrigues involving people who have created their own community to shelter them from disapproving straights. The plot is as soap-operatic as usual, though thankfully, Maupin has abandoned the lurid improbabilities that marred Mary Ann in Autumn in favor of touching reunions and reconciliations.
Sweet, undemanding entertainment most suitable for longtime fans.Pub Date: Jan. 21, 2014
ISBN: 978-0-06-219624-8
Page Count: 304
Publisher: Harper/HarperCollins
Review Posted Online: Nov. 3, 2013
Kirkus Reviews Issue: Nov. 15, 2013
Flagg flies high, and her fans will enjoy the ride.
Flagg highlights a little-known group in U.S. history and generations of families in an appealing story about two women who gather their courage, spread their wings and learn, each in her own way, to fly (I Still Dream About You, 2010, etc.).
After marrying off all three of her daughters (one of them twice to the same man), Sookie Poole is looking forward to kicking back and spending time with her husband and her beloved birds. She’s worked hard throughout life to be a good mother to her four children and a perfect daughter to her octogenarian mother. Lenore Simmons Krackenberry’s a legend in Point Clear, Ala., and has always been narcissistic, active in all the “right” organizations, and extremely demanding. She’s also become increasingly bonkers, a disorder that seems to run in the Simmons family. Throughout much of her life, Sookie’s never felt as if she’s measured up to Lenore’s exacting standards, and she’s terrified she, too, might lose her marbles. Then, Sookie receives an envelope filled with old documents that turn her world and her beliefs about herself and her family topsy-turvy. Her emotional quest for answers leads Sookie down a winding yet humorous path, as she meets with a young psychiatrist at the local Waffle House and tracks down descendants of a Polish immigrant who opened a Phillips 66 filling station in Pulaski, Wis., in 1928. What she discovers about the remarkable Jurdabralinski siblings inspires her: Fritzi, the eldest daughter, developed a unique idea to keep her father’s business operating during difficult times, but her true passion involved loftier goals. During World War II, she used her exceptional skills to serve her country in an elite program, and two of her sisters followed suit. Finding inspiration in their professional and personal sacrifices, Sookie discovers her own courage to make certain decisions about her life and to accept and take pride in the person she is. This is a charming story written with wit and empathy. The author forms a comfortable bond with readers and offers just the right blend of history and fiction.
Flagg flies high, and her fans will enjoy the ride.Pub Date: Nov. 5, 2013
ISBN: 978-1-4000-6594-3
Page Count: 352
Publisher: Random House
Review Posted Online: Sept. 17, 2013
Kirkus Reviews Issue: Oct. 1, 2013
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
A familiar tale of upper-middle-class ennui.
Over the course of a single summer, a middle-aged Manhattan couple grapples with the state of their marriage and their lives.
When Alice and Peter met, he was a young psychoanalyst and she was an even younger biophysicist. Soon, they had twin daughters. Now, he is an older psychoanalyst, she is still studying the complexities of starling flock dynamics, the twins are away at Berkeley, and the marriage is on the rocks. They have retreated into separate worlds, bored by themselves and each other. Peter has his work. For Alice, the only source of refuge is her beloved Dachshund-Chihuahua mutt named Maebelle, and when the novel opens on Memorial Day weekend, Maebelle has gone missing. Alice is devastated; Peter is annoyed. Alice has a tryst with a man she meets through a “Manhattan Lost Dog” Facebook group. Peter has escalating fantasies about a beautiful young patient. Both of them agonize, separately, over their mutual indiscretions. Sometimes, they go out to dinner. Every unhappy family may be unhappy in its own way, but it feels as though we’ve heard this story before. It is an intimate domestic drama presented without subtlety; every action has a clear and obvious motivation, and every motivation is explained at length. Alice’s infidelity, we’re told, is not just about sex, but rather because “she’d locate a shred of her former self.” Peter can’t stop fantasizing about the patient, he explains, because she reminds him “of so much I lack.” LeFavour (Lights On, Rats Out, 2017) offers an empathetic and detailed portrait of a marriage, but not—with the exception of one explosive scene toward the novel’s end—an especially insightful one.
A familiar tale of upper-middle-class ennui.Pub Date: Aug. 11, 2020
ISBN: 978-0-8021-4888-9
Page Count: 240
Publisher: Grove
Review Posted Online: Feb. 8, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
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