Rueful but never regretful, warmhearted and witty: a treat for Maupin’s many fans.
The central figure in Tales of the City returns two decades later and brings us up to date on most of the popular series’ other characters as well.
Michael is now 55 and HIV-positive, but his meds keep him healthy, along with shots of testosterone administered by 33-year-old live-in boyfriend Ben, who thinks older men are hot. They even got married at City Hall, though of course Michael’s born-again mother, brother and sister-in-law down in Florida flinch every time he refers to Ben as his husband. Fortunately, he’s still got the emotional support of former landlady Anna Madrigal, now 85 and in fragile health, and straight pal Brian Hawkins, sole owner of the nursery they founded together. (Back when Michael thought he was going to die, he decided he’d rather plant gardens.) Brian’s ex Mary Ann, a fellow alum of 28 Barbary Lane, long ago decamped for Connecticut and a stockbroker husband, but their daughter Shawna carries on the San Francisco bohemian tradition as a cheerfully bisexual blogger who chronicles “her escapades in the pansexual wonderland.” So things are good and not so very different from the old days on Barbary Lane as Maupin brings his characters into middle age with his customary blend of ready humor, frank sex scenes (that always seem kind of sweet) and unrepentant antagonism toward the red-state Americans who hate Michael and his kind. Those folks include Michael’s biological family. Michael’s mother, meanwhile, is dying of emphysema, and Michael, who’s faced his own mortality, as well as that of lovers and friends, must now grapple with an impending death that connects him to people with whom he otherwise has nothing in common. Michael’s detested father, though dead for many years, provides a startling final plot twist that enables Michael to make tentative peace with brother Irwin, and Anna’s heart attack prompts Michael to declare allegiance to his true family. Thirty years later, he’s still proud of the life he’s made and the city that made it possible.
Rueful but never regretful, warmhearted and witty: a treat for Maupin’s many fans.Pub Date: June 12, 2007
ISBN: 978-0-06-076135-6
Page Count: 288
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 2007
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.
Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
IN THE NEWS
SEEN & HEARD
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