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MICHAEL TOLLIVER LIVES

Rueful but never regretful, warmhearted and witty: a treat for Maupin’s many fans.

The central figure in Tales of the City returns two decades later and brings us up to date on most of the popular series’ other characters as well.

Michael is now 55 and HIV-positive, but his meds keep him healthy, along with shots of testosterone administered by 33-year-old live-in boyfriend Ben, who thinks older men are hot. They even got married at City Hall, though of course Michael’s born-again mother, brother and sister-in-law down in Florida flinch every time he refers to Ben as his husband. Fortunately, he’s still got the emotional support of former landlady Anna Madrigal, now 85 and in fragile health, and straight pal Brian Hawkins, sole owner of the nursery they founded together. (Back when Michael thought he was going to die, he decided he’d rather plant gardens.) Brian’s ex Mary Ann, a fellow alum of 28 Barbary Lane, long ago decamped for Connecticut and a stockbroker husband, but their daughter Shawna carries on the San Francisco bohemian tradition as a cheerfully bisexual blogger who chronicles “her escapades in the pansexual wonderland.” So things are good and not so very different from the old days on Barbary Lane as Maupin brings his characters into middle age with his customary blend of ready humor, frank sex scenes (that always seem kind of sweet) and unrepentant antagonism toward the red-state Americans who hate Michael and his kind. Those folks include Michael’s biological family. Michael’s mother, meanwhile, is dying of emphysema, and Michael, who’s faced his own mortality, as well as that of lovers and friends, must now grapple with an impending death that connects him to people with whom he otherwise has nothing in common. Michael’s detested father, though dead for many years, provides a startling final plot twist that enables Michael to make tentative peace with brother Irwin, and Anna’s heart attack prompts Michael to declare allegiance to his true family. Thirty years later, he’s still proud of the life he’s made and the city that made it possible.

Rueful but never regretful, warmhearted and witty: a treat for Maupin’s many fans.

Pub Date: June 12, 2007

ISBN: 978-0-06-076135-6

Page Count: 288

Publisher: HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 2007

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BILLY LYNN'S LONG HALFTIME WALK

War is hell in this novel of inspired absurdity.

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Hailed as heroes on a stateside tour before returning to Iraq, Bravo Squad discovers just what it has been fighting for.

Though the shellshocked humor will likely conjure comparisons with Catch-22 and Slaughterhouse Five, the debut novel by Fountain (following his story collection, Brief Encounters with Che Guevara, 2006) focuses even more on the cross-promotional media monster that America has become than it does on the absurdities of war. The entire novel takes place over a single Thanksgiving Day, when the eight soldiers (with their memories of the two who didn’t make it) find themselves at the promotional center of an all-American extravaganza, a nationally televised Dallas Cowboys football game. Providing the novel with its moral compass is protagonist Billy Lynn, a 19-year-old virgin from small-town Texas who has been inflated into some kind of cross between John Wayne and Audie Murphy for his role in a rescue mission documented by an embedded Fox News camera. In two days, the Pentagon-sponsored “Victory Tour” will end and Bravo will return to the business as usual of war. In the meantime, they are dealing with a producer trying to negotiate a film deal (“Think Rocky meets Platoon,” though Hilary Swank is rumored to be attached), glad-handing with the corporate elite of Cowboy fandom (and ownership), and suffering collateral damage during a halftime spectacle with Beyoncé. Over the course of this long, alcohol-fueled day, Billy finds himself torn, as he falls in love (and lust) with a devout Christian cheerleader and listens to his sister try to persuade him that he has done his duty and should refuse to go back. As “Americans fight the war daily in their strenuous inner lives,” Billy and his foxhole brethren discover treachery and betrayal beyond anything they’ve experienced on the battlefield.

War is hell in this novel of inspired absurdity. 

Pub Date: May 1, 2012

ISBN: 978-0-06-088559-5

Page Count: 320

Publisher: Ecco/HarperCollins

Review Posted Online: March 18, 2012

Kirkus Reviews Issue: April 1, 2012

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THE SEVEN AGES

A fine demonstration of the power and versatility of Glück’s verse, this volume will delight fans and intrigue newcomers.

Glück’s international reputation as an accomplished and critically acclaimed contemporary poet makes the arrival of her new volume an eagerly anticipated event. This slender collection meets these expectations with 44 poems that pull the reader into a realm of meditation and memory. She sets most of them in the heat of summer—a time of year when nature seems almost oppressively heavy with life—in order to meditate on the myriad realities posed by life and death. Glück mines common childhood images (a grandmother transforming summer fruit into a cool beverage, two sisters applying fingernail polish in a backyard) to resurrect the intense feelings that accompany awakening to the sensual promises of life, and she desperately explores these resonant images, searching for a path that might reconcile her to the inevitability of death. These musings produce the kinds of spiritual insights that draw so many readers to her work: she suggests that we perceive our experiences most intensely when tempered by memory, and that such experiences somehow provide meaning for our lives. Yet for all her metaphysical sensitivity and poetic craftsmanship, Glück reaffirms our ultimate fate: we all eventually die. Rather than resort to pithy mysticism or self-obsessive angst, she boldly insists that death creeps in the shadows of even our brightest summers. The genius of her poems lies in their ability to sear the summertime onto our souls in such a way that its “light will give us no peace.”

A fine demonstration of the power and versatility of Glück’s verse, this volume will delight fans and intrigue newcomers.

Pub Date: April 9, 2001

ISBN: 0-06-018526-0

Page Count: 80

Publisher: Ecco/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 2001

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