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FROG AND TOAD ARE FRIENDS

A leggy green frog and a squat green toad do for friendship something of what Little Bear does for kinship. Come April Toad's reluctance to end his long winter nap ("A little more sleep will not hurt me") prompts lonesome Frog to pull off the calendar pages one by one until he reaches stay-awake May. Then there's "The Story" Toad can't think up when Frog is sick which becomes the story—of how Toad made himself sick standing on his head and hitting it against a wall trying—told him by a recovered Frog. "A Lost Button" turns up at home after Frog has found every button but for Toad (who makes suit-able amends). But the best is yet to come—in Toad's anxiety that he looks funny in his bathing suit (which keeps him shivering in the water) and his brusque "Of course I do" when Frog and the others laugh. At the last, affectingly if more predictably, is "The Letter" that Frog writes to Toad so he'll get some mail. . . and sends by snail. Imperfect friendship or it wouldn't be true—and most perfectly expressed in their faces.

Pub Date: Aug. 1, 1979

ISBN: 0064440206

Page Count: 68

Publisher: Harper & Row

Review Posted Online: May 1, 2012

Kirkus Reviews Issue: Aug. 1, 1970

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LITTLE BLUE TRUCK'S SPRINGTIME

From the Little Blue Truck series

Uncomplicated fun that sets readers up for the earlier, more-complicated books to come.

Little Blue Truck and his pal Toad meet friends old and new on a springtime drive through the country.

This lift-the-flap, interactive entry in the popular Little Blue Truck series lacks the narrative strength and valuable life lessons of the original Little Blue Truck (2008) and its sequel, Little Blue Truck Leads the Way (2009). Both of those books, published for preschoolers rather than toddlers, featured rich storylines, dramatic, kinetic illustrations, and simple but valuable life lessons—the folly of taking oneself too seriously, the importance of friends, and the virtue of taking turns, for example. At about half the length and with half as much text as the aforementioned titles, this volume is a much quicker read. Less a story than a vernal celebration, the book depicts a bucolic drive through farmland and encounters with various animals and their young along the way. Beautifully rendered two-page tableaux teem with butterflies, blossoms, and vibrant pastel, springtime colors. Little Blue greets a sheep standing in the door of a barn: “Yoo-hoo, Sheep! / Beep-beep! / What’s new?” Folding back the durable, card-stock flap reveals the barn’s interior and an adorable set of twin lambs. Encounters with a duck and nine ducklings, a cow with a calf, a pig with 10 (!) piglets, a family of bunnies, and a chicken with a freshly hatched chick provide ample opportunity for counting and vocabulary work.

Uncomplicated fun that sets readers up for the earlier, more-complicated books to come. (Board book. 1-4)

Pub Date: Jan. 2, 2018

ISBN: 978-0-544-93809-0

Page Count: 16

Publisher: HMH Books

Review Posted Online: March 3, 2018

Kirkus Reviews Issue: July 1, 2018

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THE LITTLE GHOST WHO WAS A QUILT

From the Little Ghost Quilt Book series

Halloween is used merely as a backdrop; better holiday titles for young readers are available.

A ghost learns to appreciate his differences.

The little ghost protagonist of this title is unusual. He’s a quilt, not a lightweight sheet like his parents and friends. He dislikes being different despite his mom’s reassurance that his ancestors also had unconventional appearances. Halloween makes the little ghost happy, though. He decides to watch trick-or-treaters by draping over a porch chair—but lands on a porch rail instead. A mom accompanying her daughter picks him up, wraps him around her chilly daughter, and brings him home with them! The family likes his looks and comforting warmth, and the little ghost immediately feels better about himself. As soon as he’s able to, he flies out through the chimney and muses happily that this adventure happened only due to his being a quilt. This odd but gently told story conveys the importance of self-respect and acceptance of one’s uniqueness. The delivery of this positive message has something of a heavy-handed feel and is rushed besides. It also isn’t entirely logical: The protagonist could have been a different type of covering; a blanket, for instance, might have enjoyed an identical experience. The soft, pleasing illustrations’ palette of tans, grays, white, black, some touches of color, and, occasionally, white text against black backgrounds suggest isolation, such as the ghost feels about himself. Most humans, including the trick-or-treating mom and daughter, have beige skin. (This book was reviewed digitally with 11-by-16.6-inch double-page spreads viewed at 66.2% of actual size.)

Halloween is used merely as a backdrop; better holiday titles for young readers are available. (Picture book. 4-7)

Pub Date: Sept. 1, 2020

ISBN: 978-0-7352-6447-2

Page Count: 48

Publisher: Tundra Books

Review Posted Online: July 13, 2020

Kirkus Reviews Issue: Aug. 1, 2020

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