An eye-opener for foodies, consumers and social-justice activists alike.
A robust tale of how tomatoes get to the table and why some don't taste very good when they get there.
For the denizens of the northern portions of the East Coast outside the growing season, writes former AP foreign correspondent Allen, tomatoes mean the round red things grown in Florida. More precisely: “Roughly 85 percent of the areas east of the Mississippi were served by Florida tomatoes in the October-June months, with about the same percentage in the West buying Mexican products.” Lucky Westerners: Tomatoes from Mexico still taste something like tomatoes, and a small army of plant scientists and agronomists from all over the world have descended on the country to keep the supply coming. Poor Easterners: Tomatoes grown there are “flawed” save for one thing—they fit a fast-food hamburger bun perfectly, and even if they have no taste, they are big and firm and can be sliced quickly by a machine without being turned to pulp. Implicated in that fast-food maw are issues of food justice, about which Allen writes from an unusual firsthand perspective. He ventured into the fields and picked tomatoes with immigrant workers, coming in with about half their yield owing to his inexperience but netting the same amount of pay, with a champion picker earning about $70 for a load of tomatoes that would likely bring $360 in a grocery store. Not a bad profit for an industry supported by such corporate types as “a mild-mannered flak who produced reassuring explanations for why a socially responsible company like Burger King couldn't pay a bit more for its tomatoes.” Ultimately, Allen suggests, the factory system will endure alongside the boutique, heirloom, organic-garden variety of tomato production, with perfection not likely coming from the former.
An eye-opener for foodies, consumers and social-justice activists alike.Pub Date: March 1, 2010
ISBN: 978-1-58243-426-1
Page Count: 320
Publisher: Counterpoint
Review Posted Online: Dec. 22, 2010
Kirkus Reviews Issue: Jan. 1, 2010
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
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