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CITY ROOM

The company line from a protective organization man: readers will learn little more than they would by reviewing the...

A loving, extremely guarded memoir of the author’s 45 years with the New York Times, from durance vile to managing editor.

A son of the Bronx, Gelb appeared in the Times’ “raffish, freewheeling” city room in 1944 at the age of 20, a copy boy in a world of paste pots and scissors, bookies and cigars, Morse code and cable, a rough trade with its own caste system and clashing personalities. The best reporters, like Meyer Berger, awed him with their crisp curiosity, their obsession to probe, logically interpret and explain the facts, and their desire to imbue newspaper writing with style. The Times aimed to get the record straight and without prejudice; it was not a crusading paper, but a centrist one. But as Gelb took on the editor's mantle, first at the cultural desk and then as deputy metropolitan editor, reporters began to take a feistier approach: Gay Talese, David Halberstam, Neil Sheehan, were among those who shook the system until creative restlessness drove them from day-to-day journalism. Though hardly pugnacious, Gelb did help bring an “up-front, spontaneous style” to the paper, lest we forget the Pentagon papers or the Weekend section. The only slightly dirty laundry he washes is his prickly relationship with James Reston and a major put-down (recounted here with relish) inflicted on R.W. Apple by Homer Bigart. Gelb’s critiques of news and managerial misjudgments are bland to the point of why-bother: Of the paper's insensitivity to gays he writes, “I believe that on this issue, of such poignancy to so many, the paper did tarry for too long.” Still, under Gelb as managing editor, the Times entered the 20th century, kicking and screaming, with more black and female reporters and better coverage of African-Americans and women, even as hard news made room for soft features.

The company line from a protective organization man: readers will learn little more than they would by reviewing the microfiche.

Pub Date: Oct. 13, 2003

ISBN: 0-399-15075-7

Page Count: 672

Publisher: Putnam

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 2003

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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INTO THE WILD

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...

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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990). 

Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor will it to readers of Krakauer's narrative. (4 maps) (First printing of 35,000; author tour)

Pub Date: Jan. 1, 1996

ISBN: 0-679-42850-X

Page Count: 320

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1995

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