The Moscow trials form the pivot around which this interpretation of the spirit and logic of the Russian Revolution is built. As an interpretation it is brilliantly handled; as a novel it is almost motionless; it appeals more as an exercise in revolutionary ratiocination. Koestler, who knew several of the actual figures in the trials, has chosen a fictional Rubashov to embody the characteristics and activities of those involved. Through the period of his prison stay, we see the mentality of the revolutionist in his intellectual self-debates as he approaches a period of doubt, questioning whether the end justifies the means, whether the idea of mankind is more valid than the idea of man. For this breach of faith he is executed. Many serious studies have been made of the trials; this novel comes as near the sense of truth as any of them. The market, however, is limited.
Pub Date: May 20, 1941
ISBN: 0099424916
Page Count: 219
Publisher: Macmillan
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: May 1, 1941
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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