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FIFTY WORDS FOR RAIN

A bold historical portrait of a woman overcoming oppression marred by inconsistent character development.

Born into a noble Japanese family during World War II, Noriko Kamiza should be a princess, but her illegitimacy makes her a disgrace to her own family.

At only 8 years old, Nori is left at her maternal grandparents’ manor in Kyoto. As she abandons her daughter, Nori's mother gives her a bit of advice: Obey your grandparents. Do not resist. Nori's grandparents are horrified at Nori's very existence: Her skin color, which reveals that her father was an African American serviceman, is visible proof of their daughter's infidelity. Nori's life will be hard, and Lemmie's debut novel traces her journey from being hidden in her grandparents’ attic, beaten, and subjected to painful bleach baths to lighten her skin; to being sold to a brothel and groomed for sale to the highest bidder; to being rescued and finding freedom from her grandmother's abuse. Meanwhile, Nori discovers that she has an older half brother named Akira. Seeing Akira as the only hope to redeem the family’s honor, Nori’s grandmother is dismayed to witness Akira and Nori's deep love for each other. Lemmie’s sweeping historical backdrop, from the post–World War II decline of minor royalty through the expanding liberations of the 1960s, is breathtaking. Unfortunately, Nori’s own metamorphosis into a strong young woman is inconsistent and a bit confusing. Again and again, just when we think she has found a deep internal strength to endure or even overcome adversity, Nori lapses into a shrill childish tantrum. Moreover, the majority of the novel propels Nori toward a grand moment of defying her grandmother, but in the final pages Lemmie pulls her punch, leading the reader to wonder if Nori has another plan up her sleeve to be played out in a sequel.

A bold historical portrait of a woman overcoming oppression marred by inconsistent character development.

Pub Date: Sept. 22, 2020

ISBN: 978-1-5247-4636-0

Page Count: 464

Publisher: Dutton

Review Posted Online: June 30, 2020

Kirkus Reviews Issue: July 15, 2020

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MAAME

A fresh, often funny, always poignant take on the coming-of-age novel.

After a loss, a young British woman from a Ghanaian family reassesses her responsibilities.

Her name is Maddie, but the young protagonist in George’s engaging coming-of-age novel has always been known to her family as Maame, meaning woman. On the surface, this nickname is praise for Maddie’s reliability. Though she’s only 25, she works full time at a London publishing house and cares for her father, who’s in the late stages of Parkinson’s disease. Maddie’s older brother, James, has little interest in helping out, and their mother is living in Ghana and running the business she inherited from her own father. When she needs money, she always calls Maddie, who shoulders these expectations and burdens without complaint, never telling her friends about her frustrations: “We’re Ghanaian, so we do things differently” is an idea that's ingrained in her. Her only confidant is Google, to whom she types desperate questions and gets only moderately helpful responses. (Google does not truly understand the demands of a religious yet remote African-born mother.) But when Maddie loses her job and tragedy strikes, she begins to question the limits of family duty and wonders what sort of life she can create for herself. With a light but firm touch, George illustrates the casual racism a young Black woman can face in the British (or American) workplace and how cultural barriers can stand in the way of aspects of contemporary life such as understanding and treating depression. She examines Maddie’s awkward steps toward adulthood and its messy stew of responsibility, love, and sex with insight and compassion. The key to writing a memorable bildungsroman is creating an unforgettable character, and George has fashioned an appealing hero here: You can’t help but root for Maddie’s emancipation. Funny, awkward, and sometimes painful, her blossoming is a real delight to witness.

A fresh, often funny, always poignant take on the coming-of-age novel.

Pub Date: Jan. 31, 2023

ISBN: 978-1-2502-8252-1

Page Count: 320

Publisher: St. Martin's

Review Posted Online: Nov. 15, 2022

Kirkus Reviews Issue: Dec. 1, 2022

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TENDER IS THE FLESH

An unrelentingly dark and disquieting look at the way societies conform to committing atrocities.

A processing plant manager struggles with the grim realities of a society where cannibalism is the new normal.

Marcos Tejo is the boss’s son. Once, that meant taking over his father’s meat plant when the older man began to suffer from dementia and require nursing home care. But ever since the Transition, when animals became infected with a virus fatal to humans and had to be destroyed, society has been clamoring for a new source of meat, laboring under the belief, reinforced by media and government messaging, that plant proteins would result in malnutrition and ill effects. Now, as is true across the country, Marcos’ slaughterhouse deals in “special meat”—human beings. Though Marcos understands the moral horror of his job supervising the workers who stun, kill, flay, and butcher other humans, he doesn’t feel much since the crib death of his infant son. “One can get used to almost anything,” he muses, “except for the death of a child.” One day, the head of a breeding center sends Marcos a gift: an adult female FGP, a “First Generation Pure,” born and bred in captivity. As Marcos lives with his product, he gradually begins to awaken to the trauma of his past and the nightmare of his present. This is Bazterrica’s first novel to appear in America, though she is widely published in her native Argentina, and it could have been inelegant, using shock value to get across ideas about the inherent brutality of factory farming and the cruelty of governments and societies willing to sacrifice their citizenry for power and money. It is a testament to Bazterrica’s skill that such a bleak book can also be a page-turner.

An unrelentingly dark and disquieting look at the way societies conform to committing atrocities.

Pub Date: Aug. 4, 2020

ISBN: 978-1-982150-92-1

Page Count: 224

Publisher: Scribner

Review Posted Online: May 17, 2020

Kirkus Reviews Issue: June 1, 2020

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