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THE WILDEST SUN

A strong story with an engaging protagonist.

A search for her father takes a 16-year-old Parisienne on a voyage of self-discovery across two continents and two decades.

When we meet Delphine in September 1945, she tells us she has killed someone but gives no details until much later. We know right away who she thinks her father is: Ernest Hemingway, who Delphine’s mother says was her lover for two years before their baby was born in 1929 and he decamped to the U.S. Despite having dealt with her mother’s alcoholism and unreliability throughout her childhood, Delphine fiercely believes this to be true. This conviction carries her first to New York, where she takes refuge in Harlem with a nurturing Black couple who knew her mother in Paris, then later to Havana, where she has heard Hemingway is living. Her quest for Papa is the narrative line on which Lemmie hangs a touching coming-of-age tale. Delphine exhibits the classic traumatized personality of an alcoholic’s child: simultaneously guilty and angry. She assuages the guilt in New York by befriending and trying to help a drug-addicted party girl; when that blows up, she flees for Havana. There, she settles in to write the novels that will show Papa she is truly his daughter. She does eventually make contact, but the novel’s central action over the next 14 years is Delphine’s slow maturation, which includes clearer-eyed assessments of her mother, Hemingway, and even his books that she once uncritically admired. Her growth is fostered in large part by Javier, initially hired as her guide and translator but ultimately her friend and savvy mentor. Castro’s overthrow of the Batista regime paves the way for the final stage in Delphine’s odyssey. She has chronicled her struggles and insecurities so affectingly that readers are likely to be tolerant of closing chapters that too neatly wrap up a plot grounded in messy ambiguities.

A strong story with an engaging protagonist.

Pub Date: Dec. 5, 2023

ISBN: 9780593185711

Page Count: 336

Publisher: Dutton

Review Posted Online: Sept. 22, 2023

Kirkus Reviews Issue: Oct. 15, 2023

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THE WOMEN

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

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A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.

When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Pub Date: Feb. 6, 2024

ISBN: 9781250178633

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

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THE FAMILIAR

Lush, gorgeous, precise language and propulsive plotting sweep readers into a story as intelligent as it is atmospheric.

In 16th-century Madrid, a crypto-Jew with a talent for casting spells tries to steer clear of the Inquisition.

Luzia Cotado, a scullion and an orphan, has secrets to keep: “It was a game she and her mother had played, saying one thing and thinking another, the bits and pieces of Hebrew handed down like chipped plates.” Also handed down are “refranes”—proverbs—in “not quite Spanish, just as Luzia was not quite Spanish.” When Luzia sings the refranes, they take on power. “Aboltar cazal, aboltar mazal” (“A change of scene, a change of fortune”) can mend a torn gown or turn burnt bread into a perfect loaf; “Quien no risica, no rosica” (“Whoever doesn’t laugh, doesn’t bloom”) can summon a riot of foliage in the depths of winter. The Inquisition hangs over the story like Chekhov’s famous gun on the wall. When Luzia’s employer catches her using magic, the ambitions of both mistress and servant catapult her into fame and danger. A new, even more ambitious patron instructs his supernatural servant, Guillén Santángel, to train Luzia for a magical contest. Santángel, not Luzia, is the familiar of the title; he has been tricked into trading his freedom and luck to his master’s family in exchange for something he no longer craves but can’t give up. The novel comes up against an issue common in fantasy fiction: Why don’t the characters just use their magic to solve all their problems? Bardugo has clearly given it some thought, but her solutions aren’t quite convincing, especially toward the end of the book. These small faults would be harder to forgive if she weren’t such a beautiful writer. Part fairy tale, part political thriller, part romance, the novel unfolds like a winter tree bursting into unnatural bloom in response to one of Luzia’s refranes, as she and Santángel learn about power, trust, betrayal, and love.

Lush, gorgeous, precise language and propulsive plotting sweep readers into a story as intelligent as it is atmospheric.

Pub Date: April 9, 2024

ISBN: 9781250884251

Page Count: 400

Publisher: Flatiron Books

Review Posted Online: Feb. 3, 2024

Kirkus Reviews Issue: March 1, 2024

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