BEAUTIFUL BLACKBIRD

Blackbird shares his gifts with the birds of Africa in this colorful read-aloud. This adaptation of an Ila story tells of long ago, when all the birds have solid colored, unpatterned feathers, and only Blackbird has any black at all. The other birds agree that Blackbird is the most beautiful, as his black feathers “gleam all colors in the sun.” Blackbird mixes up a little something in his medicine gourd, and presents each bird with some black patterns of its own. The birds are happy with their new designs, and chorus, “Black is beautiful, UH-HUH.” This telling, by the master storyteller, just aches to be read aloud; the lively rhythms keep the simple folktale rollicking along. The cut-paper collage illustrations are full of color, but it’s of blandly similar intensity until Blackbird arrives with his blackening brew. Then the newly patterned birds, gleaming in high-contrast images with their new designs, make for visual excitement as they praise Blackbird for their new look. A good start at challenging learned ways of reading color that reserve black for scary or dull images, the text implies a racial metaphor (unless the refrain “black is beautiful” is focused only on rethinking artistic codes), yet whatever message of tolerance or self-love the text might hold is obscure. Blackbird talks of the difference a little black can make, but he also emphasizes that external appearances do not reflect the inner self. Which of the two is more important is never clarified. Still, the rolling language and appealing illustrations make this a must. (Picture book/folktale. 4-7)

Pub Date: Jan. 1, 2003

ISBN: 0-689-84731-9

Page Count: 40

Publisher: Atheneum

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Dec. 1, 2002

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A sweet, soft conversation starter and a charming gift.

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BECAUSE I HAD A TEACHER

A paean to teachers and their surrogates everywhere.

This gentle ode to a teacher’s skill at inspiring, encouraging, and being a role model is spoken, presumably, from a child’s viewpoint. However, the voice could equally be that of an adult, because who can’t look back upon teachers or other early mentors who gave of themselves and offered their pupils so much? Indeed, some of the self-aware, self-assured expressions herein seem perhaps more realistic as uttered from one who’s already grown. Alternatively, readers won’t fail to note that this small book, illustrated with gentle soy-ink drawings and featuring an adult-child bear duo engaged in various sedentary and lively pursuits, could just as easily be about human parent- (or grandparent-) child pairs: some of the softly colored illustrations depict scenarios that are more likely to occur within a home and/or other family-oriented setting. Makes sense: aren’t parents and other close family members children’s first teachers? This duality suggests that the book might be best shared one-on-one between a nostalgic adult and a child who’s developed some self-confidence, having learned a thing or two from a parent, grandparent, older relative, or classroom instructor.

A sweet, soft conversation starter and a charming gift. (Picture book. 4-7)

Pub Date: March 1, 2017

ISBN: 978-1-943200-08-5

Page Count: 32

Publisher: Compendium

Review Posted Online: Dec. 14, 2016

Kirkus Reviews Issue: Jan. 1, 2017

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A delectable bilingual experience.

¡VAMOS! LET'S GO EAT

From the ¡Vamos! series

Little Lobo is tasked with nourishing nine famished luchadores.

Following ¡Vamos! Let’s Go to the Market (2019), author/illustrator Raúl the Third and colorist Bay create a second installment in their bilingual series, ¡Vamos!, here following Little Lobo’s journey as he provides sustenance to hungry lucha libre stars. The cheerfully energetic anthropomorphic wolf reprises his role as a bike courier when he receives a message from El Toro and makes his way to el Coliseo, winding and weaving through busy streets. A mouthwatering experience follows as Little Lobo—accompanied by dog Bernabé and rooster pal Kooky Dooky—picks up tacos, diced fruit, freshly made tortillas, flan, and buñuelos from a gathering of food trucks. As in his other work, Raúl the Third imbues his pages with real-world and pop-culture references. An homage to Picasso’s Guernica, recognizable Ciudad Juárez–El Paso landmarks, a Chavo del Ocho inside a barrel, and even a Chapulín Colorado marionette all make the cut. Readers ignorant of these specifics will not feel left out: The busy pages filled with interesting characters and intriguing bilingual signage make readers wish they could jump into the pages and experience the bustling town. Bay’s comic book–style coloring and creative textures provide a deep cultural exposure to the lavish array of Mexican food throughout the spreads. After enjoying the story, readers will keep going back to savor all the minuscule details.

A delectable bilingual experience. (Picture book. 4-7)

Pub Date: March 24, 2020

ISBN: 978-1-328-55704-9

Page Count: 48

Publisher: Versify/HMH

Review Posted Online: Dec. 22, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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