Compelling magical fare for early teens.
An orphan and a loner, Ava Locke studies and hopes to become a Benefactor like her mentor, Selene, protecting the land of Magus against Mentalists.
Seventeen-year-old Ava is a top student at Prism, one of Magus’ elite schools, where they teach Shapers (Blue magic users) and Augmentors (Red magic users). In the past, Prism also taught Yellow magic users, or Mentalists, until they began abusing mind control. Since then, Yellow magic has been forbidden. Ava is troubled that the school teaches nothing about Yellow magic: How can she fight the unknown? When Ava meets gallant Elm, a Mentalist, she knows she should turn him in, but she can’t resist the possibility of learning about Yellow magic from him. Thus begins her alliance with Elm, setting both of them in opposition to Selene and the Benefactors. Slowly dawning realizations are limited to narrator Ava’s perspective, and the action is largely centered on her internal struggle. Ava questions whether Mentalists are inherently evil, and as she helps Elm dismantle devices created by the Benefactors to control public perception, she learns that the Benefactors are abusing their power. She also recovers memories about her parents. This first book in a new series is focused on worldbuilding and introducing the default White cast. The innocent romance between Ava and Elm and the hint of a battle to come will hook readers for the next installment.
Compelling magical fare for early teens. (Fantasy. 12-15)Pub Date: May 10, 2022
ISBN: 978-1-62184-230-9
Page Count: 304
Publisher: Enclave Escape
Review Posted Online: April 12, 2022
Kirkus Reviews Issue: May 1, 2022
BOOK REVIEW
Despite the stale fat-to-curvy pattern, compelling world building with a Southern European, pseudo-Christian feel,...
Adventure drags our heroine all over the map of fantasyland while giving her the opportunity to use her smarts.
Elisa—Princess Lucero-Elisa de Riqueza of Orovalle—has been chosen for Service since the day she was born, when a beam of holy light put a Godstone in her navel. She's a devout reader of holy books and is well-versed in the military strategy text Belleza Guerra, but she has been kept in ignorance of world affairs. With no warning, this fat, self-loathing princess is married off to a distant king and is embroiled in political and spiritual intrigue. War is coming, and perhaps only Elisa's Godstone—and knowledge from the Belleza Guerra—can save them. Elisa uses her untried strategic knowledge to always-good effect. With a character so smart that she doesn't have much to learn, body size is stereotypically substituted for character development. Elisa’s "mountainous" body shrivels away when she spends a month on forced march eating rat, and thus she is a better person. Still, it's wonderfully refreshing to see a heroine using her brain to win a war rather than strapping on a sword and charging into battle.
Despite the stale fat-to-curvy pattern, compelling world building with a Southern European, pseudo-Christian feel, reminiscent of Naomi Kritzer's Fires of the Faithful (2002), keeps this entry fresh. (Fantasy. 12-14)Pub Date: Sept. 1, 2011
ISBN: 978-0-06-202648-4
Page Count: 432
Publisher: Greenwillow Books
Review Posted Online: July 19, 2011
Kirkus Reviews Issue: Aug. 1, 2011
A trilogy opener both rich and strange, if heavy at the front end.
Riggs spins a gothic tale of strangely gifted children and the monsters that pursue them from a set of eerie, old trick photographs.
The brutal murder of his grandfather and a glimpse of a man with a mouth full of tentacles prompts months of nightmares and psychotherapy for 15-year-old Jacob, followed by a visit to a remote Welsh island where, his grandfather had always claimed, there lived children who could fly, lift boulders and display like weird abilities. The stories turn out to be true—but Jacob discovers that he has unwittingly exposed the sheltered “peculiar spirits” (of which he turns out to be one) and their werefalcon protector to a murderous hollowgast and its shape-changing servant wight. The interspersed photographs—gathered at flea markets and from collectors—nearly all seem to have been created in the late 19th or early 20th centuries and generally feature stone-faced figures, mostly children, in inscrutable costumes and situations. They are seen floating in the air, posing with a disreputable-looking Santa, covered in bees, dressed in rags and kneeling on a bomb, among other surreal images. Though Jacob’s overdeveloped back story gives the tale a slow start, the pictures add an eldritch element from the early going, and along with creepy bad guys, the author tucks in suspenseful chases and splashes of gore as he goes. He also whirls a major storm, flying bullets and a time loop into a wild climax that leaves Jacob poised for the sequel.
A trilogy opener both rich and strange, if heavy at the front end. (Horror/fantasy. 12-14)Pub Date: June 7, 2011
ISBN: 978-1-59474-476-1
Page Count: 234
Publisher: Quirk Books
Review Posted Online: March 30, 2014
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