A vivid westward migration tale with an arresting mixture of history and fiction.
A historical novel looks at the Donner Party disaster through the eyes of a young woman.
Ada Weeks, 19, is on a wagon train headed to California in 1846. The long trek has barely begun when she loses her adoptive parents to a raging river. In a flash, she has little but the clothes on her back, but the Breen family takes her on as a kind of nanny. Even at the best of times, the journey is relentlessly horrendous: heat, humidity, biting insects, snakes, choking dust, quagmires, swollen rivers, wagon breakdowns, exhausted and starving oxen, hostile Native Americans—the list goes on. But the wagon train pushes on, with these folks even entertaining themselves in the evenings. Then comes a fateful decision. Having lost precious time already, some in the party talk themselves into taking the new Hastings cutoff, supposedly a shortcut. Bad idea. The Great Salt Desert is a trip through hell and the trail often seems just a vague suggestion. The travelers fall further and further behind schedule and wind up stranded on the eastern slope of the Sierras at Truckee Lake as the worst winter storms in decades move in. The suffering is unimaginable, the deaths staggering. And then there’s the cannibalism. Will Ada make it to California? Sweeney has blended Ada and a few other fictional characters seamlessly with real people—the Donners, the Breens, Pat Dolan (her first love), the Graveses, and the Reeds—who died tragically or survived miraculously during the ordeal that is fixed in the national consciousness. (There is a helpful list of characters and a map in the front matter.) The author is a master of vivid descriptions, dragging readers along every wretched mile of the trail, sharing every dashed hope and every dramatic confrontation, with Ada as their guide. Ada is a marvelous creation, twice orphaned and both hopeful and fearful about a new life in California, the promised land. And savor Sweeney’s prose: “Hope was what used to fill our cup, Ada thinks. Now we are down to dregs.”
A vivid westward migration tale with an arresting mixture of history and fiction.Pub Date: May 19, 2020
ISBN: 978-1-63152-844-6
Page Count: 344
Publisher: She Writes Press
Review Posted Online: Sept. 13, 2024
Kirkus Reviews Issue: Nov. 1, 2024
Review Program: Kirkus Indie
BOOK REVIEW
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Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
A virtuoso performance from Li. Brava!
“What can a miserable man and a miserable woman do for each other?” Li illustrates how two Romantic era musicians navigated such a relationship.
An unusually placed coda serves as a prelude, not a conclusion, to Li’s recreation of the tumultuous lives of musicians Adelaide Percheron and John Field. Adelaide, an Indian-born orphan of mixed racial heritage, has just learned of the death of her estranged husband, John—credited with the development of the nocturne as a musical form—after years of living separately and pursuing their individual artistic passions. Following that intriguing introduction is an insightful account of the indirect paths each took to survive challenging early years and to advance in the world of music. John was born in Dublin in 1782 into a family of Irish musicians who invested heavily in his musical training, hoping to produce “the next Mozart” despite the talented boy’s sensitive and dreamy nature. The precocious and preternaturally self-possessed Adelaide learns the rudiments of the pianoforte from a governess and strategic life lessons from her grandmother. Eventually, she sets out from Pondicherry for the broader opportunities she believes await her in her father’s native France. Against a background of social upheaval across Europe due to revolutions and Napoleon’s rising power, the two grow and mature in musicality and pursue the lives they’ve imagined for themselves. John and Adelaide have just met, in 1807 Moscow, as this volume ends, leaving the door open for Li to explore their relationship in future installments. Peppered with interludes and glances into the future, Li’s novel explores both the modern commodification of music and the value of art as a means of ensuring immortality, a hedge against the “night” that falls when a life ends. Her keen psychological study of the musicians and their muses delivers the themes elegantly.
A virtuoso performance from Li. Brava!Pub Date: Oct. 13, 2026
ISBN: 9780374613051
Page Count: 352
Publisher: Farrar, Straus and Giroux
Review Posted Online: July 20, 2026
Kirkus Reviews Issue: Aug. 15, 2026
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BOOK REVIEW
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