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ANSWER CREEK

A vivid westward migration tale with an arresting mixture of history and fiction.

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A historical novel looks at the Donner Party disaster through the eyes of a young woman.

Ada Weeks, 19, is on a wagon train headed to California in 1846. The long trek has barely begun when she loses her adoptive parents to a raging river. In a flash, she has little but the clothes on her back, but the Breen family takes her on as a kind of nanny. Even at the best of times, the journey is relentlessly horrendous: heat, humidity, biting insects, snakes, choking dust, quagmires, swollen rivers, wagon breakdowns, exhausted and starving oxen, hostile Native Americans—the list goes on. But the wagon train pushes on, with these folks even entertaining themselves in the evenings. Then comes a fateful decision. Having lost precious time already, some in the party talk themselves into taking the new Hastings cutoff, supposedly a shortcut. Bad idea. The Great Salt Desert is a trip through hell and the trail often seems just a vague suggestion. The travelers fall further and further behind schedule and wind up stranded on the eastern slope of the Sierras at Truckee Lake as the worst winter storms in decades move in. The suffering is unimaginable, the deaths staggering. And then there’s the cannibalism. Will Ada make it to California? Sweeney has blended Ada and a few other fictional characters seamlessly with real people—the Donners, the Breens, Pat Dolan (her first love), the Graveses, and the Reeds—who died tragically or survived miraculously during the ordeal that is fixed in the national consciousness. (There is a helpful list of characters and a map in the front matter.) The author is a master of vivid descriptions, dragging readers along every wretched mile of the trail, sharing every dashed hope and every dramatic confrontation, with Ada as their guide. Ada is a marvelous creation, twice orphaned and both hopeful and fearful about a new life in California, the promised land. And savor Sweeney’s prose: “Hope was what used to fill our cup, Ada thinks. Now we are down to dregs.

A vivid westward migration tale with an arresting mixture of history and fiction.

Pub Date: May 19, 2020

ISBN: 978-1-63152-844-6

Page Count: 344

Publisher: She Writes Press

Review Posted Online: Sept. 13, 2024

Kirkus Reviews Issue: Nov. 1, 2024

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THE CALAMITY CLUB

Fans of Stockett’s bestselling debut will love this engaging follow-up.

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Stockett heads to Mississippi for another historical novel about feisty women.

This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.

Fans of Stockett’s bestselling debut will love this engaging follow-up.

Pub Date: May 5, 2026

ISBN: 9781954118812

Page Count: 656

Publisher: Spiegel & Grau

Review Posted Online: Feb. 2, 2026

Kirkus Reviews Issue: March 1, 2026

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CIRCE

Miller makes Homer pertinent to women facing 21st-century monsters.

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A retelling of ancient Greek lore gives exhilarating voice to a witch.

“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.

Miller makes Homer pertinent to women facing 21st-century monsters.

Pub Date: April 10, 2018

ISBN: 978-0-316-55634-7

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Jan. 22, 2018

Kirkus Reviews Issue: Feb. 1, 2018

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