A fictional memoir too narrowly personal and quotidian to grab the reader.
A struggling writer writes about her writing and the challenges posed by translating her real life into compelling fiction in Honeysett’s genre-blurring novel/memoir.
The author slowly and artfully dispenses information about her unnamed protagonist, a 38-year-old woman struggling to be a writer. Her devotion to her craft is not casual—she sends out story after story (and receives just as many rejections) and has been attending a writing workshop faithfully for seven years. Once, she wrote 30 stories within a month’s time to prove to herself that she was a real writer. She obsessively discusses her stories and the manner in which they are drawn from her own storehouse of experiences; in fact, she discusses this very book, as well as the feedback she received about it from the other members of the workshop. “But you know, this is also a story about my stories—about all the fiction I’ve spent so much time on and whether I’ve been saying anything worthwhile.” This is the crucial element of her character: For all of her commitment to writing fiction, she is relentlessly dogged by insecurity regarding its quality. She often writes about herself and her life, touching on her loving mother’s resentments about her own unloving mother, her sister’s difficulties with drug addiction, and her own trials as a mother of a young boy, Cathal, who “renewed my sense of possibility, in my writing as in everything else.” The protagonist’s prose is spare, unembellished by poetical flights of fancy or verbal acrobatics, and a touch underwhelming. The structure of the book is much more impressive—the character’s fictions and her own remembrances start to blend into each other, challenging the distinction between them. However, for all the flashes of sparkling intelligence—one editor rightfully acknowledges her promise—the entire work is too small, too preciously idiosyncratic, and too quietly undramatic to fully fix the reader’s attention. This fictionalization of a writer’s diary simply reads too much like an actual diary—a wending assemblage of impressionistic meditations.
A fictional memoir too narrowly personal and quotidian to grab the reader.Pub Date: May 7, 2024
ISBN: 9781881163749
Page Count: 119
Publisher: Miami University Press
Review Posted Online: April 13, 2024
Review Program: Kirkus Indie
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
