Looks at trauma, wealth, and infatuation through a startlingly original lens.
A woman obsessed with the show Three’s Company wins the lottery and replicates the world of the sitcom to live in.
Bonnie Lincoln is a Three’s Company superfan: She’s got multiple copies of all 172 episodes of the beloved 1970s TV show as well as small items of memorabilia: T-shirts, tickets to tapings. She can’t afford much living in a trailer and working at Scheele’s Market, a mom-and-pop grocery owned by the family of her best friend, Krystal. But when Bonnie buys a ticket for a record-setting lottery and then emerges as the sole winner, she knows immediately what she’ll do with the money: buy an enormous parcel of land and set to work replicating every last detail, to the food in the cupboards, of the Three’s Company environment. No one, not even Krystal, knows all the details or the depth of Bonnie’s obsession: “Other people can ruin a dream,” Bonnie muses, “just by knowing it.” Hutson swings back and forth between the building of Bonnie’s obsessive and isolated fantasy and her life before, uncovering the forces in her past—first the death of her father by suicide, then the death of her mother a few years later, and finally a horrifying trauma suffered by both her and Krystal—that led Bonnie to turn so wholly away from the real world and into the sun-soaked nostalgia of a sitcom. Hutson is far too smart, though, to turn Bonnie into an easy case study on the effects of trauma; Bonnie is both self-aware and resolute that her turn away from the world is justified. Hutson’s prose, too, is as cleareyed and convincing as the novel’s premise is farcical. But, as Bonnie reminds us, “Farce punishes everyone eventually.”
Looks at trauma, wealth, and infatuation through a startlingly original lens.Pub Date: June 14, 2022
ISBN: 978-0-393-86664-3
Page Count: 272
Publisher: Norton
Review Posted Online: March 29, 2022
Kirkus Reviews Issue: April 15, 2022
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
An existential crisis that steps on its own final moments.
With only a month left until the world ends due to a swiftly approaching black hole, Don and Rodney, a retired gay couple, road-trip from Maine to Washington to spend their final days with their son.
After reports that a planet-swallowing black hole is making its way toward Earth, Rodney and Don—who have been together for 40 years and survived everything from homophobia to the HIV crisis—decide to pack their belongings into an RV, say goodbye to their neighbors, and travel from Camden, Maine, to Washington to uphold a promise to spend their final days with their son. They can’t wait any longer, since there’s already chaos around the country: “Military vehicles in the streets of most cities and towns. Looting, rioting, the burning of cars and buildings and people, all of it had already happened.” As they make their way west across the country, they encounter fellow travelers ranging from close-knit families to free-spirited hippies, some of whom have come to terms with the impending end of the world and others who haven’t. While the story seems to be asking readers what they would do if they had 30 days left to live, and reflects on what different kinds of acceptance might look like in the face of unavoidable tragedy, it loses some of its poignancy in a series of thinly padded monologues about the meaning of life. Clearly intended to pack an emotional punch, it’s failed by an abrupt ending, and the way the journey’s mystery—which will be obvious to many readers—is revealed by an info dump in the last chapter.
An existential crisis that steps on its own final moments.Pub Date: April 28, 2026
ISBN: 9781250881236
Page Count: 176
Publisher: Tor
Review Posted Online: March 9, 2026
Kirkus Reviews Issue: April 1, 2026
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