Jokes lubricate a moving and occasionally preposterous story of love and death in the Antarctic cold.
In the messy human petri dish at the South Pole, a comic novel brews.
Shelby begins her smart and inventive first novel with 11 italicized questions plucked from a psychiatric evaluation: "Are you often sad? Do you have digestion problems due to stress? Do you have problems with authority?..."Any American headed to Antarctica in 2003 via the National Science Foundation must answer them. It’s a nifty way to unpack character and signal why her heroine, Cooper Gosling, has passed only provisionally. Cooper is 30, a drinker and a fine arts painter from the upper Midwest, a smartass who holds that “hotdish had never received its gastronomic due and the fake Minnesota accents in Fargo were the blackface of regional phonology.” Fetching and witty, Cooper becomes the station chief’s favorite and irresistible to a tall and handsome astrophysicist. Their attraction—one of the novel’s key pleasures—is telegraphed within the first few pages. Readers also learn early that Cooper is fleeing the sorrow of her twin’s recent suicide; she carries a pinch of his ashes in a travel-size Tylenol bottle. Thus, Shelby balances Eros with Thanatos in a story composed of barbed dialogue, email, and official memos. A climate-change skeptic arrives to bedevil the polar community, hatching a far-fetched political conspiracy. Clearly, the writer likes agita—politics mixed with science fuels Red River Rising (2004), her nonfiction book about the catastrophic 1997 flood in Grand Forks, North Dakota. She writes well about science and the peculiar, pressurized human ecosystem at the bottom of the world. Bozer, a polar station construction chief, gets his own point-of-view chapter, and it lifts him from caricature to one of the best aspects of the book. Hovering over all is Cooper’s sort-of “spirit animal,” the British explorer Apsley Cherry-Garrard, who wrote the Antarctica classic The Worst Journey in the World. This new book would no doubt confound him but, in the end, bring him delight.
Jokes lubricate a moving and occasionally preposterous story of love and death in the Antarctic cold.Pub Date: July 4, 2017
ISBN: 978-1-250-11282-8
Page Count: 368
Publisher: Picador
Review Posted Online: June 5, 2017
Kirkus Reviews Issue: June 15, 2017
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of...
Lifelong, conflicted friendship of two women is the premise of Hannah’s maudlin latest (Magic Hour, 2006, etc.), again set in Washington State.
Tallulah “Tully” Hart, father unknown, is the daughter of a hippie, Cloud, who makes only intermittent appearances in her life. Tully takes refuge with the family of her “best friend forever,” Kate Mularkey, who compares herself unfavorably with Tully, in regards to looks and charisma. In college, “TullyandKate” pledge the same sorority and major in communications. Tully has a life goal for them both: They will become network TV anchorwomen. Tully lands an internship at KCPO-TV in Seattle and finagles a producing job for Kate. Kate no longer wishes to follow Tully into broadcasting and is more drawn to fiction writing, but she hesitates to tell her overbearing friend. Meanwhile a love triangle blooms at KCPO: Hard-bitten, irresistibly handsome, former war correspondent Johnny is clearly smitten with Tully. Expecting rejection, Kate keeps her infatuation with Johnny secret. When Tully lands a reporting job with a Today-like show, her career shifts into hyperdrive. Johnny and Kate had started an affair once Tully moved to Manhattan, and when Kate gets pregnant with daughter Marah, they marry. Kate is content as a stay-at-home mom, but frets about being Johnny’s second choice and about her unrealized writing ambitions. Tully becomes Seattle’s answer to Oprah. She hires Johnny, which spells riches for him and Kate. But Kate’s buttons are fully depressed by pitched battles over slutwear and curfews with teenaged Marah, who idolizes her godmother Tully. In an improbable twist, Tully invites Kate and Marah to resolve their differences on her show, only to blindside Kate by accusing her, on live TV, of overprotecting Marah. The BFFs are sundered. Tully’s latest attempt to salvage Cloud fails: The incorrigible, now geriatric hippie absconds once more. Just as Kate develops a spine, she’s given some devastating news. Will the friends reconcile before it’s too late?
Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of poignancy.Pub Date: Feb. 1, 2008
ISBN: 978-0-312-36408-3
Page Count: 496
Publisher: St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 2007
BOOK TO SCREEN
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
